Overview

This book examines critical themes in environmental studies though theatre and performance studies. It experiments with forms along with the practice of praxis to provide radical frameworks for resilience in the contemporary age of crisis. Drawing on Ravi Sundaram’s concept of “Wild Zones”, it explores the kinetic overflows in informal sites, but also in the intimate spaces that have been realigned or shocked or fenced in, especially in the context of the COVID-19 pandemic. This volume will be of great interest to scholars and researchers of theatre and performance studies, environment and sustainability, and environmental humanities.

Full Product Details

Author:   Myer Taub (Wits University, South Africa)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge India
Weight:   0.453kg
ISBN:  

9781032773612

ISBN 10:   1032773618
Pages:   200
Publication Date:   28 June 2024
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

1 Can we quickly meet this Wednesday Interview between Ravi Sundaram and Myer Taub 2 PaR as forest loss: Experiments from a southern cultural laboratory Manola-Gayatri Kumarswamy 3 Writing to trees with the trees: Experiments in NIROX and Mustarinda Annette Arlander 4 Floating forests and sanitary fences: Underwater dancing as autistic (in)visibility and international disobedience Ciane Fernandes 5 “Interstitial” City Woodlands: Encounters with enfolded debris in urban wildscapes Jo Scott 6 The Slow Professor steps down from the fence: Covidian transmissions from a year in lockdown Johnmichael Rossi 7 Gas-masked semazen: Whirling in the middle of a chaos during the Gezi protests Esra Cizmeci 8 Pages with borders: experiments and experiences Orestes Pérez Estanquero 9 Florence: A play by Myer Taub Myer Taub 10 Teaching performance-based courses under COVID-19: A Wild Zone Jessica Philile Mawuiena Foli Photo Essay

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Myer Taub is Senior Lecturer in theatre and performance – where his teaching on philosophies on theatre and performance extends into the radical.

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