Awards

• Winner of Winner, 2023 Emerging Scholar [Book] Award, Society for Music Theory.

Overview

Full Product Details

Author:   Mariusz Kozak (Assistant Professor of Music, Assistant Professor of Music, Columbia University)
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Dimensions:   Width: 23.60cm , Height: 3.30cm , Length: 15.70cm
Weight:   0.617kg
ISBN:  

9780190080204

ISBN 10:   0190080205
Pages:   324
Publication Date:   10 January 2020
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   To order  
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

"Acknowledgements Introduction Lines Music and Time Enacting Musical Time 1. MEANING Musical Objects Objective Time Lived Time Significance Affordances 2. AFFORDANCES Breathing Becoming Music (Behave So Strangely) Musical Affordances Situation Semantics Cultural Information Situation Semantics and Musical Affordances Temporal Affordances Musical Affordances of Breath 3. BODY Embodied Cognition Temporal Bodies Kinesthetic Knowledge Kinesthetic Knowledge in Music Analysis 4. FLESH The Body's ""I Can"" From ""I Can"" to Time The Flesh of Time Temporal Objects and the Flesh of Music 5. AFFECTIVITY Auto-Affection Enacting Lived Time Louis Andriessen's De Tijd Eternity in Augustine's Confessions Temporal and Affective Dynamics of Movement Enacting Chronal Anxiety 6. VERTICALITY Vertical Time Eternal Return Affect Hosokawa's Vertical Time Malleable Musical Form Works Cited Index"

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Author Information

Mariusz Kozak is an Assistant Professor of Music at Columbia University. His research focuses on the emergence of musical meaning in contemporary art music, the development and cognitive bases of musical experience, and the phenomenology of bodily interactions in musical behavior. In his work, he bridges experimental approaches from embodied cognition with phenomenology and music analysis, in particular using motion-capture technology to study the movements of performers and listeners. His articles have appeared in Music Theory Spectrum and Music Theory Online, among others.

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