Overview

In Dockside Reading Isabel Hofmeyr traces the relationships among print culture, colonialism, and the ocean through the institution of the British colonial Custom House. During the late nineteenth and early twentieth centuries, dockside customs officials would leaf through publications looking for obscenity, politically objectionable materials, or reprints of British copyrighted works, often dumping these condemned goods into the water. These practices, echoing other colonial imaginaries of the ocean as a space for erasing incriminating evidence of the violence of empire, informed later censorship regimes under apartheid in South Africa. By tracking printed matter from ship to shore, Hofmeyr shows how literary institutions like copyright and censorship were shaped by colonial control of coastal waters. Set in the environmental context of the colonial port city, Dockside Reading explores how imperialism colonizes water. Hofmeyr examines this theme through the concept of hydrocolonialism, which puts together land and sea, empire and environment.

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9781478017745

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Reviews

As we have come to expect from Isabel Hofmeyr, Dockside Reading is dazzlingly creative, intellectually playful, and immaculately crafted. This is a brilliant history of the ideas and textual forms that emerged from the damp crates that customs officials scoured at the water's edge for signs of contamination. Setting sail from South Africa, ranging across the world's oceans, this is a quietly revolutionary, fully aquatic literary history for our times. -- Sunil Amrith, Dhawan Professor of History, Yale University What happens to books when they cross borders? Isabel Hofmeyr sets her radically new history of literature not in the library but at the dock. In pages where authors and scholars are upstaged by censors, customs officers, and even dockhands, she challenges literary critics to think beyond the text as a static entity tied to a single nation or a single piece of land mass. This is that rare book that will make it impossible to continue doing business as usual-for literary critics, for legal scholars, and for book historians. -- Leah Price, author of * What We Talk about When We Talk About Books: The History and Future of Reading *

As we have come to expect from Isabel Hofmeyr, Dockside Reading is dazzlingly creative, intellectually playful, and immaculately crafted. This is a brilliant history of the ideas and textual forms that emerged from the damp crates that customs officials scoured at the water's edge for signs of contamination. Setting sail from South Africa, ranging across the world's oceans, this is a quietly revolutionary, fully aquatic literary history for our times. -- Sunil Amrith, Dhawan Professor of History, Yale University What happens to books when they cross borders? Isabel Hofmeyr sets her radically new history of literature not in the library but at the dock. In pages where authors and scholars are upstaged by censors, customs officers, and even dockhands, she challenges literary critics to think beyond the text as a static entity tied to a single nation or a single landmass. This is that rare book that will make it impossible to continue doing business as usual-for literary critics, for legal scholars, and for book historians. -- Leah Price, author of * What We Talk about When We Talk About Books: The History and Future of Reading *

As we have come to expect from Isabel Hofmeyr, Dockside Reading is dazzlingly creative, intellectually playful, and immaculately crafted. This is a brilliant history of the ideas and textual forms that emerged from the damp crates that customs officials scoured at the water's edge for signs of contamination. Setting sail from South Africa, ranging across the world's oceans, this is a quietly revolutionary, fully aquatic literary history for our times. -- Sunil Amrith, Dhawan Professor of History, Yale University What happens to books when they cross borders? Isabel Hofmeyr sets her radically new history of literature not in the library but at the dock. In pages where authors and scholars are upstaged by censors, customs officers, and even dockhands, she challenges literary critics to think beyond the text as a static entity tied to a single nation or a single landmass. This is that rare book that will make it impossible to continue doing business as usual-for literary critics, for legal scholars, and for book historians. -- Leah Price, author of * What We Talk about When We Talk About Books: The History and Future of Reading * Hofmeyr addresses themes that acknowledge but transcend the particularities of place, revealing instead the connecting threads that bind disparate parts of the world together. -- Dane Kennedy * International Journal of African Historical Studies *

"“As we have come to expect from Isabel Hofmeyr, Dockside Reading is dazzlingly creative, intellectually playful, and immaculately crafted. This is a brilliant history of the ideas and textual forms that emerged from the damp crates that customs officials scoured at the water’s edge for signs of contamination. Setting sail from South Africa, ranging across the world’s oceans, this is a quietly revolutionary, fully aquatic literary history for our times.” -- Sunil Amrith, Dhawan Professor of History, Yale University “What happens to books when they cross borders? Isabel Hofmeyr sets her radically new history of literature not in the library but at the dock. In pages where authors and scholars are upstaged by censors, customs officers, and even dockhands, she challenges literary critics to think beyond the text as a static entity tied to a single nation or a single landmass. This is that rare book that will make it impossible to continue doing business as usual—for literary critics, for legal scholars, and for book historians.” -- Leah Price, author of * What We Talk about When We Talk About Books: The History and Future of Reading * “Hofmeyr addresses themes that acknowledge but transcend the particularities of place, revealing instead the connecting threads that bind disparate parts of the world together.” -- Dane Kennedy * International Journal of African Historical Studies * “Hofmeyr’s scholarship is exemplary in its marriage of evocative detail with magisterial overview. She gives a compelling account of how customs procedure developed and changed over the course of almost a century. . . . She teaches us a new way to read.” -- Matthew P.M. Kerr * Modern Language Review * ""[Hofmeyr's] work sheds important light on the interdependency between reading practices and the book as object. . . . Hofmeyr deftly interweaves her research into customs documents with environmental and postcolonial theory, animating what is usually perceived as a dull or colorless archive through semantic resignification."" -- Neelam Srivastava * Journal of Postcolonial Inquiry * ""In her stimulating investigation, Dockside Reading, Isabel Hofmeyr offers a fresh perspective on book history in the British Empire."" -- Katharine Anderson * Journal of British Studies * ""Hofmeyr has produced a remarkable volume combining elements of both historical and 'literary' scholarship. It is a must read for those who study English Literature, the British Empire, the history of material culture, and international trade transactions of both human and non-human 'cargo.'” -- Paul Chiudiza Banda * African Studies Review *"

"“As we have come to expect from Isabel Hofmeyr, Dockside Reading is dazzlingly creative, intellectually playful, and immaculately crafted. This is a brilliant history of the ideas and textual forms that emerged from the damp crates that customs officials scoured at the water’s edge for signs of contamination. Setting sail from South Africa, ranging across the world’s oceans, this is a quietly revolutionary, fully aquatic literary history for our times.” -- Sunil Amrith, Dhawan Professor of History, Yale University “What happens to books when they cross borders? Isabel Hofmeyr sets her radically new history of literature not in the library but at the dock. In pages where authors and scholars are upstaged by censors, customs officers, and even dockhands, she challenges literary critics to think beyond the text as a static entity tied to a single nation or a single landmass. This is that rare book that will make it impossible to continue doing business as usual—for literary critics, for legal scholars, and for book historians.” -- Leah Price, author of * What We Talk about When We Talk About Books: The History and Future of Reading * “Hofmeyr addresses themes that acknowledge but transcend the particularities of place, revealing instead the connecting threads that bind disparate parts of the world together.” -- Dane Kennedy * International Journal of African Historical Studies * “Hofmeyr’s scholarship is exemplary in its marriage of evocative detail with magisterial overview. She gives a compelling account of how customs procedure developed and changed over the course of almost a century. . . . She teaches us a new way to read.” -- Matthew P.M. Kerr * Modern Language Review * ""[Hofmeyr's] work sheds important light on the interdependency between reading practices and the book as object. . . . Hofmeyr deftly interweaves her research into customs documents with environmental and postcolonial theory, animating what is usually perceived as a dull or colorless archive through semantic resignification."" -- Neelam Srivastava * Journal of Postcolonial Inquiry * ""In her stimulating investigation, Dockside Reading, Isabel Hofmeyr offers a fresh perspective on book history in the British Empire."" -- Katharine Anderson * Journal of British Studies *"

Author Information

Isabel Hofmeyr is Professor Emeritus at the University of the Witwatersrand and Global Distinguished Professor at New York University. She is coeditor of Ten Books That Shaped the British Empire: Creating an Imperial Commons, also published by Duke University Press, and author of Gandhi’s Printing Press: Experiments in Slow Reading.

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