Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France

Author:   Siv B. Lie
Publisher:   The University of Chicago Press
ISBN:  

9780226811000


Pages:   256
Publication Date:   22 October 2021
Format:   Paperback
Availability:   In stock   Availability explained
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Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France


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Overview

Django Generations shows how relationships between racial identities, jazz, and national belonging become entangled in France. Jazz manouche—a genre known best for its energetic, guitar-centric swing tunes—is among France’s most celebrated musical practices of the twentieth and twenty-first centuries. It centers on the recorded work of famed guitarist Django Reinhardt and is named for the Manouche subgroup of Romanies, also known somewhat pejoratively as “Gypsies,” to which Reinhardt belonged. French Manouches are publicly lauded as bearers of this jazz tradition, a practice in which many take pleasure and pride, while facing pervasive discrimination at the same time. Jazz manouche uncovers a contradiction at the heart of France’s assimilationist republican ideals: the music is portrayed as quintessentially French even as Manouches themselves endure treatment as racial others. In this book, Siv B. Lie explores how this music is used to construct divergent ethnoracial and national identities in a context where discussions of race are otherwise censured. Weaving together ethnographic and historical analysis, Lie shows that jazz manouche becomes a source of profound ambivalence as it generates ethnoracial difference and socioeconomic exclusion. As the first full-length ethnographic study of French jazz to be published in English, this book enriches anthropological, ethnomusicological, and historical scholarship on global jazz, race and ethnicity, and citizenship while showing how music can be an important but insufficient tool in struggles for racial and economic justice.

Full Product Details

Author:   Siv B. Lie
Publisher:   The University of Chicago Press
Imprint:   University of Chicago Press
Dimensions:   Width: 15.20cm , Height: 3.00cm , Length: 22.90cm
Weight:   0.399kg
ISBN:  

9780226811000


ISBN 10:   022681100
Pages:   256
Publication Date:   22 October 2021
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In stock   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

Table of Contents

Notes on Terminology List of Figures Introduction Chapter One: Making Jazz Manouche Chapter Two: Cultural Activism's Living Legacies Chapter Three: Generic Ontologies and the Stakes of Refusal Chapter Four: The Sound of Feeling Chapter Five: Heritage Stories Conclusion Acknowledgments Appendix 1: Glossary Appendix 2: List of Formal Interviews Notes References Index

Reviews

Django Generations offers a profound analysis of how Manouche Romanies navigate French denials of race and racism through what Siv B. Lie calls 'ambivalent essentialism'-the set of incompatible qualities ascribed by and to this ethnicized and racialized group whose most famous ancestor is the guitarist Django Reinhardt. Drawing on deep ethnographic and historical research, Lie brilliantly develops a semiotic framework that both explicates the development and negotiation of local identities in jazz manouche and their connection to much broader processes of managing marginalization and the exigencies of capitalism. -- Ingrid Monson, Quincy Jones Professor of African American Music, Harvard University A necessary addition for ethnomusicologists and scholars of Romani music, Django Generations is aptly named because it gives voice to groups of Romani musicians who are forging contemporary identities in modern contexts while acknowledging past histories and cultural roots. -- Adriana Helbig, University of Pittsburgh In this book, Siv B. Lie explores the paradoxes of jazz manouche's history and its relationship to the Manouche community without taking sides in the complex debates between musicians, institutions, and the industry. Django Generations is a work of considerable intellectual sophistication. -- Andy Fry, King's College London


Django Generations offers a profound analysis of how Manouche Romanies navigate French denials of race and racism through what Siv B. Lie calls 'ambivalent essentialism'-the set of incompatible qualities ascribed by and to this ethnicized and racialized group whose most famous ancestor is the guitarist Django Reinhardt. Drawing on deep ethnographic and historical research, Lie brilliantly develops a semiotic framework that both explicates the development and negotiation of local identities in jazz manouche and their connection to much broader processes of managing marginalization and the exigencies of capitalism. -- Ingrid Monson, Quincy Jones Professor of African American Music, Harvard University A necessary addition for ethnomusicologists and scholars of Romani music, Django Generations is aptly named because it gives voice to groups of Romani musicians who are forging contemporary identities in modern contexts while acknowledging past histories and cultural roots. -- Adriana Helbig, University of Pittsburgh


Author Information

Siv B. Lie is assistant professor of music at the University of Maryland.

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