Cowboys, Mountain Men, and Grizzly Bears: Fifty of the Grittiest Moments in the History of the Wild West

Author:   Matthew P Mayo ,  James Romick
Publisher:   Tantor Audio
ISBN:  

9798200205332


Publication Date:   20 October 2020
Format:   Audio  Audio Format
Availability:   In stock   Availability explained
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Cowboys, Mountain Men, and Grizzly Bears: Fifty of the Grittiest Moments in the History of the Wild West


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Author:   Matthew P Mayo ,  James Romick
Publisher:   Tantor Audio
Imprint:   Tantor Audio
Dimensions:   Width: 14.70cm , Height: 2.80cm , Length: 14.20cm
Weight:   0.204kg
ISBN:  

9798200205332


Publication Date:   20 October 2020
Audience:   General/trade ,  General
Format:   Audio
Publisher's Status:   Active
Availability:   In stock   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

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Matthew P. Mayo is a Western Writers of America Spur Award Finalist and a Western Fictioneers Peacemaker Award Finalist. His short stories have appeared in numerous anthologies and his novels include the Westerns Winters' War, Wrong Town, Hot Lead, Cold Heart, Dead Man's Ranch, Tucker's Reckoning, and he contributes to several popular series of Western and adventure novels. His non-fiction books include Cowboys, Mountain Men & Grizzly Bears; Bootleggers, Lobstermen & Lumberjacks; Sourdoughs, Claim Jumpers & Dry Gulchers; and Haunted Old West. James Romick considers voice-over the fourth or fifth phase of his forty-plus-year acting career, which includes nearly twenty-three years on Broadway. But never in his wildest imagination did he ever think that he would be recording and producing audiobooks at home in his den from a vocal booth that he designed and built himself, stocked with professional grade recording equipment and a spiffy DAW (Digital Audio Workstation) on his computer. Thus far, he has recorded and produced some seventy-plus audiobooks, with many more waiting in the queue. He also studied audio engineering in the late eighties at The Institute of Audio Research in NYC, when editing analog tape with a block and razor blades was still the norm. Digital recording, editing, and mastering is so much easier.

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