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9781641606516

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"""Clay and Bones shines a light on a crucial position in law enforcement while also revealing systemic flaws at the premier U.S. law enforcement agency... Readers will be mesmerized by her work and angered by the targeted harassment she received."" -- Booklist ""...Bones fans will enjoy the insider's view of forensic analysis"" -- Publishers Weekly ""... a gruesomely vivid book."" -- Kirkus Reviews ""After performing thousands of autopsies and writing dozens of articles and three books on the subject of messy death, the two of us learned things from Lisa Bailey about the grotesque decomposition of the elements of a human face that can happen as a consequence of certain violent, fatal events. Clay and Bones surprises even us. And that's really saying something!"" --Judy Melinek, MD, and T.J. Mitchell, authors of Working Stiff ""You know you're in for a wild ride when a book drops you into the Body Farm on the first page. From investigations of charred corpses to intensive work on boxes of unidentified skulls, Clay and Bones is a gripping account of the day-to-day duties of an FBI forensic artist. And if you think reconstructing someone's face from decades-old remains is Bailey's most difficult challenge, you're in for a big surprise."" --Lindsey Fitzharris, New York Times bestselling author of The Facemaker ""A fascinating account! Lisa Bailey deserves both our deepest respect and our profound admiration. I say this, first, in tribute to her incisive intellect, as revealed in these astonishing pages, that led to groundbreaking work in forensic investigation. And, importantly, I say this in honor of her unflinching courage in face of the flagrant gender discrimination and despicable administrative dishonesty she was forced to endure in her FBI workplace. The Bureau prides itself on being one of the world's top law enforcement agencies, but the lack of any sense of internal justice within the ranks of its upper management reveals an organization that has much to answer for."" --Douglas Schofield, coauthor of Giovanni's Ring: My Life Inside the Real Sopranos ""Lisa Bailey's story covering her fascinating career as a forensic artist and the bizarre treatment she endured while employed at the FBI is as compelling as a crime novel. In Clay and Bones, readers have a front row seat to the real world of forensic art and the real fight for justice Ms. Bailey braved through for years at the very agency that claims justice as the primary goal."" --Melissa Ross, author of Forensics for Kids"

"""You know you're in for a wild ride when a book drops you into the Body Farm on the first page. From investigations of charred corpses to intensive work on boxes of unidentified skulls, Clay and Bones is a gripping account of the day-to-day duties of an FBI forensic artist. And if you think reconstructing someone's face from decades-old remains is Bailey's most difficult challenge, you're in for a big surprise."" --Lindsey Fitzharris, New York Times bestselling author of The Facemaker ""A fascinating account! Lisa Bailey deserves both our deepest respect and our profound admiration. I say this, first, in tribute to her incisive intellect, as revealed in these astonishing pages, that led to groundbreaking work in forensic investigation. And, importantly, I say this in honor of her unflinching courage in face of the flagrant gender discrimination and despicable administrative dishonesty she was forced to endure in her FBI workplace. The Bureau prides itself on being one of the world's top law enforcement agencies, but the lack of any sense of internal justice within the ranks of its upper management reveals an organization that has much to answer for."" --Douglas Schofield, coauthor of Giovanni's Ring: My Life Inside the Real Sopranos ""Lisa Bailey's story covering her fascinating career as a forensic artist and the bizarre treatment she endured while employed at the FBI is as compelling as a crime novel. In Clay and Bones, readers have a front row seat to the real world of forensic art and the real fight for justice Ms. Bailey braved through for years at the very agency that claims justice as the primary goal."" --Melissa Ross, author of Forensics for Kids"

"""A gruesomely vivid book."" -- Kirkus Reviews ""Clay and Bones shines a light on a crucial position in law enforcement while also revealing systemic flaws at the premier U.S. law enforcement agency... Readers will be mesmerized by her work and angered by the targeted harassment she received."" -- Booklist ""...Bones fans will enjoy the insider's view of forensic analysis"" -- Publishers Weekly ""After performing thousands of autopsies and writing dozens of articles and three books on the subject of messy death, the two of us learned things from Lisa Bailey about the grotesque decomposition of the elements of a human face that can happen as a consequence of certain violent, fatal events. Clay and Bones surprises even us. And that's really saying something!"" --Judy Melinek, MD, and T.J. Mitchell, authors of Working Stiff ""You know you're in for a wild ride when a book drops you into the Body Farm on the first page. From investigations of charred corpses to intensive work on boxes of unidentified skulls, Clay and Bones is a gripping account of the day-to-day duties of an FBI forensic artist. And if you think reconstructing someone's face from decades-old remains is Bailey's most difficult challenge, you're in for a big surprise."" --Lindsey Fitzharris, New York Times bestselling author of The Facemaker ""A fascinating account! Lisa Bailey deserves both our deepest respect and our profound admiration. I say this, first, in tribute to her incisive intellect, as revealed in these astonishing pages, that led to groundbreaking work in forensic investigation. And, importantly, I say this in honor of her unflinching courage in face of the flagrant gender discrimination and despicable administrative dishonesty she was forced to endure in her FBI workplace. The Bureau prides itself on being one of the world's top law enforcement agencies, but the lack of any sense of internal justice within the ranks of its upper management reveals an organization that has much to answer for."" --Douglas Schofield, coauthor of Giovanni's Ring: My Life Inside the Real Sopranos ""Lisa Bailey's story covering her fascinating career as a forensic artist and the bizarre treatment she endured while employed at the FBI is as compelling as a crime novel. In Clay and Bones, readers have a front row seat to the real world of forensic art and the real fight for justice Ms. Bailey braved through for years at the very agency that claims justice as the primary goal."" --Melissa Ross, author of Forensics for Kids"

"""After performing thousands of autopsies and writing dozens of articles and three books on the subject of messy death, the two of us learned things from Lisa Bailey about the grotesque decomposition of the elements of a human face that can happen as a consequence of certain violent, fatal events. Clay and Bones surprises even us. And that's really saying something!"" --Judy Melinek, MD, and T.J. Mitchell, authors of Working Stiff ""You know you're in for a wild ride when a book drops you into the Body Farm on the first page. From investigations of charred corpses to intensive work on boxes of unidentified skulls, Clay and Bones is a gripping account of the day-to-day duties of an FBI forensic artist. And if you think reconstructing someone's face from decades-old remains is Bailey's most difficult challenge, you're in for a big surprise."" --Lindsey Fitzharris, New York Times bestselling author of The Facemaker ""A fascinating account! Lisa Bailey deserves both our deepest respect and our profound admiration. I say this, first, in tribute to her incisive intellect, as revealed in these astonishing pages, that led to groundbreaking work in forensic investigation. And, importantly, I say this in honor of her unflinching courage in face of the flagrant gender discrimination and despicable administrative dishonesty she was forced to endure in her FBI workplace. The Bureau prides itself on being one of the world's top law enforcement agencies, but the lack of any sense of internal justice within the ranks of its upper management reveals an organization that has much to answer for."" --Douglas Schofield, coauthor of Giovanni's Ring: My Life Inside the Real Sopranos ""Lisa Bailey's story covering her fascinating career as a forensic artist and the bizarre treatment she endured while employed at the FBI is as compelling as a crime novel. In Clay and Bones, readers have a front row seat to the real world of forensic art and the real fight for justice Ms. Bailey braved through for years at the very agency that claims justice as the primary goal."" --Melissa Ross, author of Forensics for Kids"

Author Information

Lisa Bailey is a retired FBI forensic artist, adjunct faculty member of the FBI Academy, and instructor of the FBI Forensic Facial Imaging Class. She has been featured prominently in major news outlets such as the Washington Post, National Public Radio, America's Most Wanted, Dateline NBC, and A&E Real Crime. Bailey and her forensic art also appear in Mental Floss, Medium, and the National Museum of Health and Medicine.

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