Overview

A history of urban modernity in Cairo through cinema which""makes us see makes us see the movies in a whole new way"" (Chris Berry, King's College London) The relationship between the city and cinema is formidable. The images and sounds of the city found in movies are perhaps the only experience that many people will have of cities they may never visit. Films influence the way we construct images of the world, and accordingly, in many instances, how we operate within it. Cinematic Cairo: Egyptian Urban Modernity from Reel to Real offers a history of Cairo's urban modernity using film as the primary source of exploration, and cinematic space as both an analytical tool and a medium of critique. Cairo has provided rich subject material for Egypt's film industry since the inception of the art form at the end of the nineteenth century. The ""reel"" city-imagined, perceived, and experienced-provides the spatial domain that mirrors change and allows for an interrogation of the ""real"" city as it encountered modernity over the course of a century. Bringing together chapters by architects and art and literary historians, this volume explores this parallel and convergent relationship through two sections. The first uses films from the 1930s to the end of the twentieth century to illustrate the development of a modern Cairo and its modern subjects. The second section is focused on tracing the transformation of the cinematic city under conditions of neoliberalism, religious fundamentalism, and gender tensions. The result is a comprehensive narrative of the urban modernity of one of the most important cities in the Arab world and Global South. Contributors Ahmed H. AbdelAzim, University of Wisconsin-Madison, USA Khaled Adham, Leibniz-Zentrum Moderner Orient, Berlin, Germany Kinda AlSamara, Deakin University, Melbourne, Australia Nezar AlSayyad, University of California, Berkeley, USA Doaa Al Amir, October 6th University, Cairo, Egypt Mirette Aziz, Misr International University, Egypt Muhammad Emad Feteha, The American University in Cairo, Cairo, Egypt Farah Gendy, Raef Fahmi Architects, Cairo, Egypt Hala A. Hassanien, Architect, Wasl, Cairo, Egypt Tayseer Khairy, Arab Academy for Science Technology & Maritime Transport, Cairo, Egypt Mariam Marei, The American University in Cairo, Cairo, Egypt Ameer Saad, Architect, Dar Al-Handasa, Cairo, Egypt Heba Safey Eldeen, Misr International University, Cairo, Egypt Mohammad Salama, San Francisco State University, San Francisco, USA Nour Sobhi, Misr International University, Cairo, Egypt Sherin Soliman, Misr International University, Cairo, Egypt

Full Product Details

Author:   Dr. Nezar AlSayyad ,  Dr. Heba Safey Eldeen
Publisher:   American University in Cairo Press
Imprint:   American University in Cairo Press
ISBN:  

9781649031334

ISBN 10:   1649031335
Pages:   324
Publication Date:   11 October 2022
Audience:   General/trade ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   In stock  
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Table of Contents

Acknowledgments List of Contributors Cinematic Cairo and the Discourse on Egyptian Urban Modernity: A Prologue, Nezar AlSayyad PART I: Cinematic Cairo, 1930 to the Present Chapter 1: Bourgeois Cairo, 1930: Cinematic Representations of Modernity of Place in the Middle-Class City, Ameer Abdurrahman Saad Chapter 2: Naguib Mahfouz’s Cinematic Cairo: Depictions of Urban Transformation in Twentieth Century Egypt, Nezar AlSayyad and Mohammad Salama Chapter 3: Bridge as Border and Connector: Class and Social Relations in Cinematic Cairo, 1940-1950, Nezar AlSayyad and Doaa Al Amir Chapter 4: Cinematic Cairo of the United Arab Republic, 1958- 1962, Kinda AlSamara Chapter5: Kafkaesque Modernity: Cairo in the 1980s and the Middle-Class Housing Crisis, Ahmed H. AbdelAzim Chapter 6: Escaping Cairo: Bureaucratic Modernity in the Cinematic Portrayal of the City in the 1980s, Tayseer Khairy Chapter 7: Cairo Beyond the Windshield: From Modernity of Realism to Surrealistic Postmodernity, 1980s-1990s, Mariam S. Marei PART II: Themes in the Transformation of Cinematic Cairo Chapter 8: Transformations in the Cinematic Space of a Cairo Suburb in the Late-Twentieth-Century, Farah Gendy Chapter 9: From Hara to Imara: Social Transformations in Cinematic Cairo, Mirette Aziz Chapter 10: Cairo’s Cinematic Coffeehouses: Modernity, Urbanity and the Changing Image of an Institution, Khaled Adham Chapter 11: Gendered Modernity: On the Changing Role of Women in Modern Cinematic Cairo, 1950s-2000s, Nour Adel Sobhi Chapter 12: Religious Tolerance in the Cairo of the Movies,1950s-2000s, Hala A. Hassanien Chapter 13: The City of a Thousand Minarets and a Million Satellite Dishes: The Dilemma of Islam and Modernity in Cinematic Cairo, Muhammad E. Feteha Chapter 14: Women’s Right to the City: Cinematic Representation of Cairene Urban Poverty, Heba Safey Eldeen and Sherien Soliman

Reviews

The analysis of Egyptian films in this glittering collection of lively essays not only animates over a century of tumultuous social and urban topographical changes in Cairo, but also makes us see the movies in a whole new way. Through the melodrama, phenomena such as changes in gender roles, the mixing or separation of different religious communities, and the cultural role of the coffee house are illuminated, enriching our understanding of Africa's greatest city and the center of the Arab film world. This volume is a significant addition to the burgeoning literature on cinema and the city. --Chris Berry, King's College London We increasingly experience the city virtually. In the twenty-first century, the 'real' city can no longer be understood independently from the 'reel, ' its elusive virtual counterpart. Cinematic Cairo offers a unique history of modern Cairo seen through the lens of film, plus a new way to analyze modern urbanism in all its dazzling complexity. --Stefan Al, Kohn Pedersen Fox Associates

"""This survey of a century's worth of urban interpretations of Cairo through the lenses of Egyptian filmmakers proves once again the importance of literary and cinematic narrative for a true understanding of any city. Cairo has long had one of the oldest and most vibrant film industries in the world and emerges here as a fascinating locale for the genesis of a more complex, multi-layered modernity, as its films tackle social, urban, economic, and religious tensions and transformations.--Dietrich Neumann, Brown University ""The analysis of Egyptian films in this glittering collection of lively essays not only animates over a century of tumultuous social and urban topographical changes in Cairo, but also makes us see the movies in a whole new way. Through the melodrama, phenomena such as changes in gender roles, the mixing or separation of different religious communities, and the cultural role of the coffee house are illuminated, enriching our understanding of Africa's greatest city and the center of the Arab film world. This volume is a significant addition to the burgeoning literature on cinema and the city.""--Chris Berry, King's College London ""Through multiple methodologies and cinematic genres, the contributors to this volume erode boundaries between reel and real city, tracing the transformations of both under neoliberalism, religious fundamentalism and class and gender tensions, from the mid twentieth century to the first two decades of the twenty first. This is an important contribution, not just to the interdisciplinary literature on Cairo, but to the reading and representation of cities at large.""--Samia Mehrez, The American University in Cairo ""Carefully dissect[s] the complex relationship between Cairo, the cinematic version of the city, and the Cairo that falls between the real and the reel.""--Al-Ahram Weekly"

The analysis of Egyptian films in this glittering collection of lively essays not only animates over a century of tumultuous social and urban topographical changes in Cairo, but also makes us see the movies in a whole new way. Through the melodrama, phenomena such as changes in gender roles, the mixing or separation of different religious communities, and the cultural role of the coffee house are illuminated, enriching our understanding of Africa's greatest city and the center of the Arab film world. This volume is a significant addition to the burgeoning literature on cinema and the city. --Chris Berry, King's College London We increasingly experience the city virtually. In the twenty-first century, the 'real' city can no longer be understood independently from the 'reel, ' its elusive virtual counterpart. Cinematic Cairo offers a unique history of modern Cairo seen through the lens of film, plus a new way to analyze modern urbanism in all its dazzling complexity. --Stefan Al, Virginia Tech Carefully dissect[s] the complex relationship between Cairo, the cinematic version of the city, and the Cairo that falls between the real and the reel. --Al-Ahram Weekly

The analysis of Egyptian films in this glittering collection of lively essays not only animates over a century of tumultuous social and urban topographical changes in Cairo, but also makes us see the movies in a whole new way. Through the melodrama, phenomena such as changes in gender roles, the mixing or separation of different religious communities, and the cultural role of the coffee house are illuminated, enriching our understanding of Africa's greatest city and the center of the Arab film world. This volume is a significant addition to the burgeoning literature on cinema and the city. --Chris Berry, King's College London We increasingly experience the city virtually. In the twenty-first century, the 'real' city can no longer be understood independently from the 'reel, ' its elusive virtual counterpart. Cinematic Cairo offers a unique history of modern Cairo seen through the lens of film, plus a new way to analyze modern urbanism in all its dazzling complexity. --Stefan Al, Virginia Tech

Author Information

Nezar AlSayyad is emeritus professor of architecture, planning, urban design, and urban history at the University of California, Berkeley, where he also served as chair of the Center for Middle Eastern Studies. He was founder and past president of the International Association for the Study of Traditional Environments. Among his numerous books are: Nile: Urban Histories on the Banks of a River (2020), Cairo: Histories of a City (2011), Cinematic Urbanism (2006), Making Cairo Medieval (2005), and The End of Tradition (2004). Heba Safey Eldeen is professor of architecture and urban design at Misr International University, Cairo, and an adjunct professor at the American University in Cairo. She currently serves as director of the House of Egyptian Architecture, under the Cultural Development Fund of the Egyptian Ministry of Culture. She is also director of the Architecture and Children Work Program of the International Union of Architects, and a member of the Architecture Committee of the Supreme Council for Culture of Egypt.

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