China’s Music Industry Unplugged: Business Models, Copyright and Social Entrepreneurship in the Online Platform Economy

Author:   Zhen Troy Chen
Publisher:   Springer Verlag, Singapore
Edition:   1st ed. 2021
ISBN:  

9789811639487


Pages:   248
Publication Date:   14 September 2021
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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China’s Music Industry Unplugged: Business Models, Copyright and Social Entrepreneurship in the Online Platform Economy


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Author:   Zhen Troy Chen
Publisher:   Springer Verlag, Singapore
Imprint:   Palgrave Macmillan
Edition:   1st ed. 2021
Weight:   0.478kg
ISBN:  

9789811639487


ISBN 10:   9811639485
Pages:   248
Publication Date:   14 September 2021
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Part I. Copyright law and social entrepreneurship in an online platform economy.- Chapter 1: Setting the stage.- Chapter 2 Music industries, platform economy and social entrepreneurship.- Chapter 3 Doing music industry research in China.- Chapter 4 China’s copyright law and the music industry: A social-legal analysis.- Part II. Evolving business models, strategies and tactics.- Chapter 5: The traditional proprietary model.- Chapter 6: The renegade model.- Chapter 7 The platform ecosystem model.- Chapter 8 Conclusion.  

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Author Information

Zhen Troy Chen, PhD, FHEA, Senior Lecturer in Digital Advertising, London College of Communication, University of the Arts London. He is also Adjunct Research Fellow of the Griffith Centre for Design and Innovation Research at Griffith University, Gold Coast Campus. His research interests are in digital media, cultural and creative industries, cultural and media policy (copyright), journalism, and experience design. His research papers have appeared in Journal of Consumer Culture, Ethics and Information Technology, Social Semiotics, Asian Journal of Women’s Studies, and Global Media and China. He also contributed his book chapters published by Bloomsbury Academic and Routledge.

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