Overview

A Boston Globe Book We're Most Excited About This Summer ● An Oprah Daily Best Book of the Summer ● A Chicago Review of Books Must-Read Book of the Month ● A LitHub Most Anticipated Book of the Year ● A Crime Reads Year of Literary True Crime Pick ● A Book Culture Most Anticipated Book of the Month ● A Best Evidence Most Anticipated True Crime of the Year Pick ● An InsideHook Book You Should be Reading This Month Acclaimed author Sarah Gerard turns her keen observational eye and penetrating prose to the 2016 murder of her friend Carolyn Bush, examining the multi-faceted reasons for her death―personal and societal, avoidable and inevitable―as ""nuanced and subtly intimate"" (NPR) as her lauded essay collection, Sunshine State. ""Astonishing. . . . What stuns about Carrie Carolyn Coco is . . . the intricate ways in which Sarah Gerard unravels poison in the dark corners of Carolyn Bush's world: a fancy liberal arts college with a chilling history of violence; the violence in Bush's everyday existence; the web of people who are willing to stand up for Bush's murderer, some with dubious motives."" ―Esmé Weijun Wang, New York Times bestselling author of The Collected Schizophrenias On the night of September 28, 2016, twenty-five-year-old Carolyn Bush was brutally stabbed to death in her New York City apartment by her roommate Render Stetson-Shanahan, leaving friends and family of both reeling. In life, Carolyn was a gregarious, smart-mouthed aspiring poet, who had seemingly gotten along well with Render, a reserved art handler. Where had it gone so terribly wrong? This is the question that has plagued acclaimed author Sarah Gerard and driven her obsessive pursuit to understand this horrific tragedy. In Sarah's exploration of Carolyn's life and death, she spent thousands of hours interviewing Carolyn's and Render's friends and family, poring over court documents and news media, reading obscure writings and internet posts, and attending Carolyn's memorials and Render's trial. What emerged from Sarah's relentless instinct to follow a story and its characters to their darkest ends is a book that is at once a striking homage to Carolyn's life, a chilling excavation of a brutal crime, and a captivating whydunit with a shocking conclusion.

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9781638930464

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Reviews

"""Sarah Gerard's Carrie Carolyn Coco is simultaneously an investigation of a murder, a tribute to the victim's life, and an expose of the legal and educational systems designed to protect wealthy, white men from their own actions. As a journalist, PI, and writer, Gerard relies on her investigative powers to make sense of the senseless. Deeply felt, impeccably researched, and told with pinpoint precision, Gerard casts a penetrating and enlightened eye on the cracked foundations of justice."" --Erika Krouse, author of Tell Me Everything: The Story of a Private Investigation"

"""A meticulous, maddening, and tenderly crafted exploration of the bureaucracy of loss, the mirror-maze of tragic mourning, and the search for meaning after death, Carrie Carolyn Coco provides the rarest form of literary testament in its unswayable pursuit of truth, justice, honor, and love. What an incredible gift Sarah Gerard has summoned from her soul to shed a lasting glow on a singular thinker, artist, and friend, Carolyn Bush, lost far too young, still full of a life most might have never known."" --Blake Butler, author of Molly ""At last, a book about what is left out of most murder stories: the way a death reverberates through a community, forever changing all those who knew and loved the deceased. Sarah Gerard has an exacting eye. She brings her formidable strengths as both a writer and private investigator to bear in Carrie Carolyn Coco, as she investigates the shocking murder of her friend. Deeply affecting and impossible to put down."" --Alex Marzano-Lesnevich, author of The Fact of a Body: A Murder & A Memoir ""Heart-wrenching, harrowing and relentlessly researched, Sarah Gerard's Carrie Carolyn Coco kept me up at night searching for answers, not only to the looming why at the heart of the story, but to the wider systems of silence and oppression that so often lead to tragedy. An unforgettable account of a true, terrible crime, and a lasting remembrance of a life lost too soon written by one of the most compassionate, searingly talented writers working today."" --Allie Rowbottom, author of Jell-O Girls ""In a sweeping act of grace, Sarah Gerard has written an ode, a testament, a love letter to a friend, and the scathing critique of true crime I've been waiting for. Carrie Carolyn Coco presents an unfathomable act of violence and a depiction of the systemic, patriarchal ills that allow exploitative mythologies to be spun from suffering. This book is a balm and antidote to such narratives--offering, instead, a story full of light, artistry, and strength. I didn't know Carolyn Bush or her art when I started this book; now I do, and my life is fuller for it. I hope more and more storytelling will dignify, as Gerard has so powerfully done, lives and talents like Carolyn's, lost too soon."" --T. Kira Madden, author of Long Live the Tribe of Fatherless Girls ""In this lyrical masterwork of grief and reckoning, Sarah Gerard turns the tables on true crime, bringing her murdered friend Carolyn Bush fully to life on the page not as a victim but as a dazzling young poet finding her way in New York City. At once an elegy and an investigation, Carrie Carolyn Coco celebrates a talented woman's too-brief spark while fearlessly confronting the shocking forces of wealth and power that protected her confessed murderer at trial. A devastatingly effective interrogation of privilege and justice, riveting right through to its stunning final pages. If this book doesn't break your heart, you don't have one."" --Ellen McGarrahan, author of Two Truths and a Lie: A Murder, A Private Investigator, and Her Search for Justice ""Sarah Gerard has written a penetrating, engaging, and illuminating exploration of the murder of her friend Carolyn Bush, a young, free-spirited, aspiring poet. Gerard dives deep into a world where privilege and class collide and where truth and justice seem elusive. She raises important questions about mental illness and criminal responsibility and honors her friend with compassion and sensitivity. Gerard combines her talents as a novelist and sharp skills as a journalist to create an impressive work of narrative nonfiction inhabited by complex characters and rich story telling."" --Kevin Davis, author of The Brain Defense ""Sarah Gerard's Carrie Carolyn Coco is simultaneously an investigation of a murder, a tribute to the victim's life, and an expose of the legal and educational systems designed to protect wealthy, white men from their own actions. As a journalist, PI, and writer, Gerard relies on her investigative powers to make sense of the senseless. Deeply felt, impeccably researched, and told with pinpoint precision, Gerard casts a penetrating and enlightened eye on the cracked foundations of justice."" --Erika Krouse, author of Tell Me Everything: The Story of a Private Investigation ""What stuns about Carrie Carolyn Coco is not merely the tragic murder of a woman by her male roommate, but also the intricate ways in which Sarah Gerard unravels poison in the dark corners of Carolyn Bush's world: a fancy liberal arts college with a chilling history of violence; the violence in Bush's everyday existence; the web of people who are willing to stand up for Bush's murderer, some with dubious motives. Gerard also illuminates Bush's life by making her wildly and shimmeringly alive--she is not merely The Dead Girl of the narrative, but also a complex protagonist whose desires and idiosyncrasies are laid plain in this astonishing exploration."" --Esm� Weijun Wang, New York Times bestselling author of The Collected Schizophrenias"

Author Information

Sarah Gerard is the author of the essay collection Sunshine State, a New York Times critics' choice; the novella Binary Star, a finalist for the Los Angeles Times first fiction prize; two chapbooks; and the novel True Love. Her short stories, essays, interviews, and criticism have appeared in the New York Times, Granta, The Baffler, Vice, BOMB Magazine, and other journals, as well as anthologies. She's been supported by fellowships and residencies from Yaddo, Tin House, PlatteForum, Ucross, and the Whiting Foundation. She lives in Denver.

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