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[Young's] scrupulous feel for archival traces -- for the urgent materiality of memory -- is one of the superpowers he brings to both his poems and nonfiction. The newest example is Bunk, Young's enthralling and essential new study of our collective American love affair with pernicious and intractable moonshine. . . . Bunk is a sort of book that comes along rarely: the encompassing survey of some vast realm of human activity, encyclopedic but also unapologetically subjective. . . . Bunk, a panorama, a rumination and apolemic at once, asks more of the reader. It delivers riches in return. . . . Bunk is a reader's feast, a shaggy, generous tome with a slim volume of devastating aphorisms lurking inside; it also shimmers with moments of brief personal testimony. --Jonathan Lethem, The New York Times Book Review In Bunk, Kevin Young exhaustively tracks our longtime ambivalence toward 'hoaxes, humbug, plagiarists, phonies, post-facts, and fake news.' In these pages our founding father isn't George Washington, who supposedly couldn't tell a lie, but rather showman P.T. Barnum, who brazenly exhibited an old black woman as Washington's 161-year-old childhood nurse. . . . There's so much to enjoy and learn from in this encyclopedic anatomy of American imposture and chicanery. --The Washington Post A wild, incisive, exhilarating tour through Western culture's sideshows and dark corners. Like a sideshow barker, Young writes with unbridled enthusiasm, a showman's conviction, and a carny's canny, telling a story that at times defies belief. And every word of it is true. --Los Angeles Times Kevin Young . . . reflects on hoaxers and events as diverse as P.T. Barnum, Rachel Dolezal, the forged Hitler Diaries, Binjamin Wilkomirski's fabricated Holocaust memoir, James Frey, Stephen Glass and Lance Armstrong. What could be timelier in the age of post-truth politics, science denial and fake news? --Newsweek Riveting. . . . Young covers, and uncovers, America's long and varied history of deceptive practices. --Elle [A] thorough examination of two centuries of hoaxing. . . . Original and illuminating. --BBC Culture Brilliant . . . that rare thing, a trove of fresh and persuasive insights. . . . Impeccably, even superhumanly erudite. . . . [Young's] subject, a procession of outlandish, inventive, theatrical, and utterly brazen liars, is inherently entertaining. --Slate [Young's] copious research, his talents in literary analysis and his associative skills as a poet are on acrobatic display as he argues convincingly that the hoax is all too often an underrecognized mechanism for maintaining white -- and to a concurrent extent, male -- supremacy. . . . As we enter the second year of the Trump administration . . . this book could scarcely be more timely or useful. --Chicago Tribune Bunk is a fiercely intelligent account of the lies public figures tell us and the lies we tell ourselves, and it's one of the mostimportant books you'll read all year. --Nylon Reading Bunk, one may get the sense that Young's history of the secret themes of our society has suddenly moved out of the shadows and into full view. It's equal parts enlightening and unnerving. --Star Tribune (Minneapolis) Young . . . assumes the daunting task of cataloguing America's obsession with deception . . . [and] diligently explores how marginalization of 'the other' breathes life into deceit. . . . Bunk is the thrilling fun house at the state fair one wishes to never exit. --Atlanta Journal-Constitution [A] profoundly erudite new study of the ways truthiness, as Stephen Colbert used to call it, travels through America's fabric. --Literary Hub Thick and information-laden as the internet cacophony, Young's book proves a worthy and exhaustingly researched read. --Paste Young is a fine poet--incoming poetry editor of The New Yorker, no less--and his often recursive, textured prose is the perfect delivery for the cyclical nature of literary lies. --The Millions [Kevin Young is] second to none in his ability to make unlikely pop cultural connections and bring in a vast and complex sense of history. --Vol. 1 Brooklyn Kevin Young's magisterial study, Bunk . . . should set many back on their heels. . . . Choosing to read [this] book that systematically--and with a great deal of entertainment--exposes and explains the promulgation of 'fake news' would be a perfect way to resist the dumbing down of America. --Signature Reads Thoroughly researched and consistently illuminating. . . . Bunk serves as a necessary reference book you can dip in and out of as you like, or else turn to any time the president says anything. --The Stranger A powerful, far-reaching read. --BookPage As exhaustive as its subtitle: part survey of modern imposture, part detective story about the origins of American fakery. . . . It's an important book for 2017, not only because 'fake news' is a part of the zeitgeist, but because public discourse about white supremacy and political hucksterism suffers from citizens' short memory. . . . Bunk is a consistently incisive look at the nature of American imposture and epistemology itself: How do we know what we know, how do we learn? How do we undo what we learn, and how do we avoid making the same mistakes? --Harvard Magazine If you're ready for a riveting lesson on a loaded subject, immerse yourself in award-winning poet and critic Kevin Young's Bunk. --Elle.com A persuasive and exhaustive examination of the history and ubiquity of the hoax. --4Columns Young chronicles a distinctly American brand of deception in this history of hoaxers, fabricators, liars, and imposters. . . . [He] astutely declares the hoax a frequent metaphor for a 'deep-seated cultural wish' that confirms prejudicial ideas and stereotypes. . . . Young's remarks on race and his comparison of Trump and Barnum, both of whom gained power from spectacle, in the book's coda are well worth sifting through. --Publishers Weekly, starred review As we adjust to life with a president who plays fast and loose with the truth and whose backstory arouses growing skepticism, this examination of the long and colorful history of hoaxes and cons is most welcome. . . . Compelling and eye-opening. --Booklist, starred review Fake news and alternative facts have a long and complex history in American culture. Young, an award-winning poet and director of the New York Schomburg Center for Research in Black Culture, explores the deep roots of hoaxing in entertainment, literature, journalism, sports, and public life. . . . The final chapter touches on the current 'post-fact' world and its rejection of expertise, raising important questions about how we can know the truth. This dense and wide-ranging critique offers a fascinating view of the impact of fraud on truth. --Library Journal, starred review A fascinating, well-researched look at the many ways Americans hoodwink each other, often about race. --Kirkus Reviews A wild, incisive, exhilarating tour through Western culture's sideshows and dark corners. Like a sideshow barker, Young writes with unbridled enthusiasm, a showman's conviction, and a carny's canny, telling a story that at times defies belief. And every word of it is true. --Los Angeles Times Kevin Young . . . reflects on hoaxers and events as diverse as P.T. Barnum, Rachel Dolezal, the forged Hitler Diaries, Binjamin Wilkomirski's fabricated Holocaust memoir, James Frey, Stephen Glass and Lance Armstrong. What could be timelier in the age of post-truth politics, science denial and fake news? --Newsweek Riveting. . . . Young covers, and uncovers, America's long and varied history of deceptive practices. --Elle [A] thorough examination of two centuries of hoaxing. . . . Original and illuminating. --BBC Culture Bunk is a fiercely intelligent account of the lies public figures tell us and the lies we tell ourselves, and it's one of the mostimportant books you'll read all year. --Nylon [A] profoundly erudite new study of the ways truthiness, as Stephen Colbert used to call it, travels through America's fabric. --Literary Hub In chronicling the history of hoaxes in the United States, Young illuminates the sobering role of fake news today. --Paste [Kevin Young is] second to none in his ability to make unlikely pop cultural connections and bring in a vast and complex sense of history. --Vol. 1 Brooklyn As exhaustive as its subtitle: part survey of modern imposture, part detective story about the origins of American fakery. . . . It's an important book for 2017, not only because 'fake news' is a part of the zeitgeist, but because public discourse about white supremacy and political hucksterism suffers from citizens' short memory. . . . Bunk is a consistently incisive look at the nature of American imposture and epistemology itself: How do we know what we know, how do we learn? How do we undo what we learn, and how do we avoid making the same mistakes? --Harvard Magazine Young chronicles a distinctly American brand of deception in this history of hoaxers, fabricators, liars, and imposters. . . . [He] astutely declares the hoax a frequent metaphor for a 'deep-seated cultural wish' that confirms prejudicial ideas and stereotypes. . . . Young's remarks on race and his comparison of Trump and Barnum, both of whom gained power from spectacle, in the book's coda are well worth sifting through. --Publishers Weekly, starred review As we adjust to life with a president who plays fast and loose with the truth and whose backstory arouses growing skepticism, this examination of the long and colorful history of hoaxes and cons is most welcome. . . . Compelling and eye-opening. --Booklist, starred review Fake news and alternative facts have a long and complex history in American culture. Young, an award-winning poet and director of the New York Schomburg Center for Research in Black Culture, explores the deep roots of hoaxing in entertainment, literature, journalism, sports, and public life. . . . The final chapter touches on the current 'post-fact' world and its rejection of expertise, raising important questions about how we can know the truth. This dense and wide-ranging critique offers a fascinating view of the impact of fraud on truth. --Library Journal, starred review A fascinating, well-researched look at the many ways Americans hoodwink each other, often about race. --Kirkus Reviews Riveting. . . . Young covers, and uncovers, America's long and varied history of deceptive practices. --Elle [A] thorough examination of two centuries of hoaxing. . . . Original and illuminating. --BBC Culture [A] profoundly erudite new study of the ways truthiness, as Stephen Colbert used to call it, travels through America's fabric. --Literary Hub [Kevin Young is] second to none in his ability to make unlikely pop cultural connections and bring in a vast and complex sense of history. --Vol. 1 Brooklyn As exhaustive as its subtitle: part survey of modern imposture, part detective story about the origins of American fakery. . . . It's an important book for 2017, not only because 'fake news' is a part of the zeitgeist, but because public discourse about white supremacy and political hucksterism suffers from citizens' short memory. . . . Bunk is a consistently incisive look at the nature of American imposture and epistemology itself: How do we know what we know, how do we learn? How do we undo what we learn, and how do we avoid making the same mistakes? --Harvard Magazine Young chronicles a distinctly American brand of deception in this history of hoaxers, fabricators, liars, and imposters. . . . [He] astutely declares the hoax a frequent metaphor for a 'deep-seated cultural wish' that confirms prejudicial ideas and stereotypes. . . . Young's remarks on race and his comparison of Trump and Barnum, both of whom gained power from spectacle, in the book's coda are well worth sifting through. --Publishers Weekly, starred review As we adjust to life with a president who plays fast and loose with the truth and whose backstory arouses growing skepticism, this examination of the long and colorful history of hoaxes and cons is most welcome. . . . Compelling and eye-opening. --Booklist, starred review Fake news and alternative facts have a long and complex history in American culture. Young, an award-winning poet and director of the New York Schomburg Center for Research in Black Culture, explores the deep roots of hoaxing in entertainment, literature, journalism, sports, and public life. . . . The final chapter touches on the current 'post-fact' world and its rejection of expertise, raising important questions about how we can know the truth. This dense and wide-ranging critique offers a fascinating view of the impact of fraud on truth. --Library Journal, starred review A fascinating, well-researched look at the many ways Americans hoodwink each other, often about race. --Kirkus Reviews As exhaustive as its subtitle: part survey of modern imposture, part detective story about the origins of American fakery. . . . It's an important book for 2017, not only because 'fake news' is a part of the zeitgeist, but because public discourse about white supremacy and political hucksterism suffers from citizens' short memory. . . . Bunk is a consistently incisive look at the nature of American imposture and epistemology itself: How do we know what we know, how do we learn? How do we undo what we learn, and how do we avoid making the same mistakes? --Harvard Magazine Young chronicles a distinctly American brand of deception in this history of hoaxers, fabricators, liars, and imposters. . . . [He] astutely declares the hoax a frequent metaphor for a 'deep-seated cultural wish' that confirms prejudicial ideas and stereotypes. . . . Young's remarks on race and his comparison of Trump and Barnum, both of whom gained power from spectacle, in the book's coda are well worth sifting through. --Publishers Weekly, starred review As we adjust to life with a president who plays fast and loose with the truth and whose backstory arouses growing skepticism, this examination of the long and colorful history of hoaxes and cons is most welcome. . . . Compelling and eye-opening. --Booklist, starred review Fake news and alternative facts have a long and complex history in American culture. Young, an award-winning poet and director of the New York Schomburg Center for Research in Black Culture, explores the deep roots of hoaxing in entertainment, literature, journalism, sports, and public life. . . . The final chapter touches on the current 'post-fact' world and its rejection of expertise, raising important questions about how we can know the truth. This dense and wide-ranging critique offers a fascinating view of the impact of fraud on truth. --Library Journal, starred review A fascinating, well-researched look at the many ways Americans hoodwink each other, often about race. --Kirkus Reviews Young chronicles a distinctly American brand of deception in this history of hoaxers, fabricators, liars, and imposters. . . . [He] astutely declares the hoax a frequent metaphor for a 'deep-seated cultural wish' that confirms prejudicial ideas and stereotypes. . . . Young's remarks on race and his comparison of Trump and Barnum, both of whom gained power from spectacle, in the book's coda are well worth sifting through. --Publishers Weekly, starred review Fake news and alternative facts have a long and complex history in American culture. Young, an award-winning poet and director of the New York Schomburg Center for Research in Black Culture, explores the deep roots of hoaxing in entertainment, literature, journalism, sports, and public life. . . . The final chapter touches on the current 'post-fact' world and its rejection of expertise, raising important questions about how we can know the truth. This dense and wide-ranging critique offers a fascinating view of the impact of fraud on truth. --Library Journal, starred review A fascinating, well-researched look at the many ways Americans hoodwink each other, often about race. --Kirkus Reviews

Riveting. . . . Young covers, and uncovers, America's long and varied history of deceptive practices. --Elle [A] thorough examination of two centuries of hoaxing. . . . Original and illuminating. --BBC Culture [A] profoundly erudite new study of the ways truthiness, as Stephen Colbert used to call it, travels through America's fabric. --Literary Hub [Kevin Young is] second to none in his ability to make unlikely pop cultural connections and bring in a vast and complex sense of history. --Vol. 1 Brooklyn As exhaustive as its subtitle: part survey of modern imposture, part detective story about the origins of American fakery. . . . It's an important book for 2017, not only because 'fake news' is a part of the zeitgeist, but because public discourse about white supremacy and political hucksterism suffers from citizens' short memory. . . . Bunk is a consistently incisive look at the nature of American imposture and epistemology itself: How do we know what we know, how do we learn? How do we undo what we learn, and how do we avoid making the same mistakes? --Harvard Magazine Young chronicles a distinctly American brand of deception in this history of hoaxers, fabricators, liars, and imposters. . . . [He] astutely declares the hoax a frequent metaphor for a 'deep-seated cultural wish' that confirms prejudicial ideas and stereotypes. . . . Young's remarks on race and his comparison of Trump and Barnum, both of whom gained power from spectacle, in the book's coda are well worth sifting through. --Publishers Weekly, starred review As we adjust to life with a president who plays fast and loose with the truth and whose backstory arouses growing skepticism, this examination of the long and colorful history of hoaxes and cons is most welcome. . . . Compelling and eye-opening. --Booklist, starred review Fake news and alternative facts have a long and complex history in American culture. Young, an award-winning poet and director of the New York Schomburg Center for Research in Black Culture, explores the deep roots of hoaxing in entertainment, literature, journalism, sports, and public life. . . . The final chapter touches on the current 'post-fact' world and its rejection of expertise, raising important questions about how we can know the truth. This dense and wide-ranging critique offers a fascinating view of the impact of fraud on truth. --Library Journal, starred review A fascinating, well-researched look at the many ways Americans hoodwink each other, often about race. --Kirkus Reviews As exhaustive as its subtitle: part survey of modern imposture, part detective story about the origins of American fakery. . . . It's an important book for 2017, not only because 'fake news' is a part of the zeitgeist, but because public discourse about white supremacy and political hucksterism suffers from citizens' short memory. . . . Bunk is a consistently incisive look at the nature of American imposture and epistemology itself: How do we know what we know, how do we learn? How do we undo what we learn, and how do we avoid making the same mistakes? --Harvard Magazine Young chronicles a distinctly American brand of deception in this history of hoaxers, fabricators, liars, and imposters. . . . [He] astutely declares the hoax a frequent metaphor for a 'deep-seated cultural wish' that confirms prejudicial ideas and stereotypes. . . . Young's remarks on race and his comparison of Trump and Barnum, both of whom gained power from spectacle, in the book's coda are well worth sifting through. --Publishers Weekly, starred review As we adjust to life with a president who plays fast and loose with the truth and whose backstory arouses growing skepticism, this examination of the long and colorful history of hoaxes and cons is most welcome. . . . Compelling and eye-opening. --Booklist, starred review Fake news and alternative facts have a long and complex history in American culture. Young, an award-winning poet and director of the New York Schomburg Center for Research in Black Culture, explores the deep roots of hoaxing in entertainment, literature, journalism, sports, and public life. . . . The final chapter touches on the current 'post-fact' world and its rejection of expertise, raising important questions about how we can know the truth. This dense and wide-ranging critique offers a fascinating view of the impact of fraud on truth. --Library Journal, starred review A fascinating, well-researched look at the many ways Americans hoodwink each other, often about race. --Kirkus Reviews Young chronicles a distinctly American brand of deception in this history of hoaxers, fabricators, liars, and imposters. . . . [He] astutely declares the hoax a frequent metaphor for a 'deep-seated cultural wish' that confirms prejudicial ideas and stereotypes. . . . Young's remarks on race and his comparison of Trump and Barnum, both of whom gained power from spectacle, in the book's coda are well worth sifting through. --Publishers Weekly, starred review Fake news and alternative facts have a long and complex history in American culture. Young, an award-winning poet and director of the New York Schomburg Center for Research in Black Culture, explores the deep roots of hoaxing in entertainment, literature, journalism, sports, and public life. . . . The final chapter touches on the current 'post-fact' world and its rejection of expertise, raising important questions about how we can know the truth. This dense and wide-ranging critique offers a fascinating view of the impact of fraud on truth. --Library Journal, starred review A fascinating, well-researched look at the many ways Americans hoodwink each other, often about race. --Kirkus Reviews

[Young's] scrupulous feel for archival traces -- for the urgent materiality of memory -- is one of the superpowers he brings to both his poems and nonfiction. The newest example is Bunk, Young's enthralling and essential new study of our collective American love affair with pernicious and intractable moonshine. . . . Bunk is a sort of book that comes along rarely: the encompassing survey of some vast realm of human activity, encyclopedic but also unapologetically subjective. . . . Bunk, a panorama, a rumination and apolemic at once, asks more of the reader. It delivers riches in return. . . . Bunk is a reader's feast, a shaggy, generous tome with a slim volume of devastating aphorisms lurking inside; it also shimmers with moments of brief personal testimony. --Jonathan Lethem, The New York Times Book Review A wild, incisive, exhilarating tour through Western culture's sideshows and dark corners. Like a sideshow barker, Young writes with unbridled enthusiasm, a showman's conviction, and a carny's canny, telling a story that at times defies belief. And every word of it is true. --Los Angeles Times Kevin Young . . . reflects on hoaxers and events as diverse as P.T. Barnum, Rachel Dolezal, the forged Hitler Diaries, Binjamin Wilkomirski's fabricated Holocaust memoir, James Frey, Stephen Glass and Lance Armstrong. What could be timelier in the age of post-truth politics, science denial and fake news? --Newsweek Riveting. . . . Young covers, and uncovers, America's long and varied history of deceptive practices. --Elle [A] thorough examination of two centuries of hoaxing. . . . Original and illuminating. --BBC Culture [Young's] copious research, his talents in literary analysis and his associative skills as a poet are on acrobatic display as he argues convincingly that the hoax is all too often an underrecognized mechanism for maintaining white -- and to a concurrent extent, male -- supremacy. . . . As we enter the second year of the Trump administration . . . this book could scarcely be more timely or useful. --Chicago Tribune Bunk is a fiercely intelligent account of the lies public figures tell us and the lies we tell ourselves, and it's one of the mostimportant books you'll read all year. --Nylon Reading Bunk, one may get the sense that Young's history of the secret themes of our society has suddenly moved out of the shadows and into full view. It's equal parts enlightening and unnerving. --Star Tribune (Minneapolis) [A] profoundly erudite new study of the ways truthiness, as Stephen Colbert used to call it, travels through America's fabric. --Literary Hub In chronicling the history of hoaxes in the United States, Young illuminates the sobering role of fake news today. --Paste Young is a fine poet--incoming poetry editor of The New Yorker, no less--and his often recursive, textured prose is the perfect delivery for the cyclical nature of literary lies. --The Millions [Kevin Young is] second to none in his ability to make unlikely pop cultural connections and bring in a vast and complex sense of history. --Vol. 1 Brooklyn Kevin Young's magisterial study, Bunk . . . should set many back on their heels. . . . Choosing to read [this] book that systematically--and with a great deal of entertainment--exposes and explains the promulgation of 'fake news' would be a perfect way to resist the dumbing down of America. --Signature Reads As exhaustive as its subtitle: part survey of modern imposture, part detective story about the origins of American fakery. . . . It's an important book for 2017, not only because 'fake news' is a part of the zeitgeist, but because public discourse about white supremacy and political hucksterism suffers from citizens' short memory. . . . Bunk is a consistently incisive look at the nature of American imposture and epistemology itself: How do we know what we know, how do we learn? How do we undo what we learn, and how do we avoid making the same mistakes? --Harvard Magazine If you're ready for a riveting lesson on a loaded subject, immerse yourself in award-winning poet and critic Kevin Young's Bunk. --Elle.com A persuasive and exhaustive examination of the history and ubiquity of the hoax. --4Columns Young chronicles a distinctly American brand of deception in this history of hoaxers, fabricators, liars, and imposters. . . . [He] astutely declares the hoax a frequent metaphor for a 'deep-seated cultural wish' that confirms prejudicial ideas and stereotypes. . . . Young's remarks on race and his comparison of Trump and Barnum, both of whom gained power from spectacle, in the book's coda are well worth sifting through. --Publishers Weekly, starred review As we adjust to life with a president who plays fast and loose with the truth and whose backstory arouses growing skepticism, this examination of the long and colorful history of hoaxes and cons is most welcome. . . . Compelling and eye-opening. --Booklist, starred review Fake news and alternative facts have a long and complex history in American culture. Young, an award-winning poet and director of the New York Schomburg Center for Research in Black Culture, explores the deep roots of hoaxing in entertainment, literature, journalism, sports, and public life. . . . The final chapter touches on the current 'post-fact' world and its rejection of expertise, raising important questions about how we can know the truth. This dense and wide-ranging critique offers a fascinating view of the impact of fraud on truth. --Library Journal, starred review A fascinating, well-researched look at the many ways Americans hoodwink each other, often about race. --Kirkus Reviews A wild, incisive, exhilarating tour through Western culture's sideshows and dark corners. Like a sideshow barker, Young writes with unbridled enthusiasm, a showman's conviction, and a carny's canny, telling a story that at times defies belief. And every word of it is true. --Los Angeles Times Kevin Young . . . reflects on hoaxers and events as diverse as P.T. Barnum, Rachel Dolezal, the forged Hitler Diaries, Binjamin Wilkomirski's fabricated Holocaust memoir, James Frey, Stephen Glass and Lance Armstrong. What could be timelier in the age of post-truth politics, science denial and fake news? --Newsweek Riveting. . . . Young covers, and uncovers, America's long and varied history of deceptive practices. --Elle [A] thorough examination of two centuries of hoaxing. . . . Original and illuminating. --BBC Culture Bunk is a fiercely intelligent account of the lies public figures tell us and the lies we tell ourselves, and it's one of the mostimportant books you'll read all year. --Nylon [A] profoundly erudite new study of the ways truthiness, as Stephen Colbert used to call it, travels through America's fabric. --Literary Hub In chronicling the history of hoaxes in the United States, Young illuminates the sobering role of fake news today. --Paste [Kevin Young is] second to none in his ability to make unlikely pop cultural connections and bring in a vast and complex sense of history. --Vol. 1 Brooklyn As exhaustive as its subtitle: part survey of modern imposture, part detective story about the origins of American fakery. . . . It's an important book for 2017, not only because 'fake news' is a part of the zeitgeist, but because public discourse about white supremacy and political hucksterism suffers from citizens' short memory. . . . Bunk is a consistently incisive look at the nature of American imposture and epistemology itself: How do we know what we know, how do we learn? How do we undo what we learn, and how do we avoid making the same mistakes? --Harvard Magazine Young chronicles a distinctly American brand of deception in this history of hoaxers, fabricators, liars, and imposters. . . . [He] astutely declares the hoax a frequent metaphor for a 'deep-seated cultural wish' that confirms prejudicial ideas and stereotypes. . . . Young's remarks on race and his comparison of Trump and Barnum, both of whom gained power from spectacle, in the book's coda are well worth sifting through. --Publishers Weekly, starred review As we adjust to life with a president who plays fast and loose with the truth and whose backstory arouses growing skepticism, this examination of the long and colorful history of hoaxes and cons is most welcome. . . . Compelling and eye-opening. --Booklist, starred review Fake news and alternative facts have a long and complex history in American culture. Young, an award-winning poet and director of the New York Schomburg Center for Research in Black Culture, explores the deep roots of hoaxing in entertainment, literature, journalism, sports, and public life. . . . The final chapter touches on the current 'post-fact' world and its rejection of expertise, raising important questions about how we can know the truth. This dense and wide-ranging critique offers a fascinating view of the impact of fraud on truth. --Library Journal, starred review A fascinating, well-researched look at the many ways Americans hoodwink each other, often about race. --Kirkus Reviews Riveting. . . . Young covers, and uncovers, America's long and varied history of deceptive practices. --Elle [A] thorough examination of two centuries of hoaxing. . . . Original and illuminating. --BBC Culture [A] profoundly erudite new study of the ways truthiness, as Stephen Colbert used to call it, travels through America's fabric. --Literary Hub [Kevin Young is] second to none in his ability to make unlikely pop cultural connections and bring in a vast and complex sense of history. --Vol. 1 Brooklyn As exhaustive as its subtitle: part survey of modern imposture, part detective story about the origins of American fakery. . . . It's an important book for 2017, not only because 'fake news' is a part of the zeitgeist, but because public discourse about white supremacy and political hucksterism suffers from citizens' short memory. . . . Bunk is a consistently incisive look at the nature of American imposture and epistemology itself: How do we know what we know, how do we learn? How do we undo what we learn, and how do we avoid making the same mistakes? --Harvard Magazine Young chronicles a distinctly American brand of deception in this history of hoaxers, fabricators, liars, and imposters. . . . [He] astutely declares the hoax a frequent metaphor for a 'deep-seated cultural wish' that confirms prejudicial ideas and stereotypes. . . . Young's remarks on race and his comparison of Trump and Barnum, both of whom gained power from spectacle, in the book's coda are well worth sifting through. --Publishers Weekly, starred review As we adjust to life with a president who plays fast and loose with the truth and whose backstory arouses growing skepticism, this examination of the long and colorful history of hoaxes and cons is most welcome. . . . Compelling and eye-opening. --Booklist, starred review Fake news and alternative facts have a long and complex history in American culture. Young, an award-winning poet and director of the New York Schomburg Center for Research in Black Culture, explores the deep roots of hoaxing in entertainment, literature, journalism, sports, and public life. . . . The final chapter touches on the current 'post-fact' world and its rejection of expertise, raising important questions about how we can know the truth. This dense and wide-ranging critique offers a fascinating view of the impact of fraud on truth. --Library Journal, starred review A fascinating, well-researched look at the many ways Americans hoodwink each other, often about race. --Kirkus Reviews As exhaustive as its subtitle: part survey of modern imposture, part detective story about the origins of American fakery. . . . It's an important book for 2017, not only because 'fake news' is a part of the zeitgeist, but because public discourse about white supremacy and political hucksterism suffers from citizens' short memory. . . . Bunk is a consistently incisive look at the nature of American imposture and epistemology itself: How do we know what we know, how do we learn? How do we undo what we learn, and how do we avoid making the same mistakes? --Harvard Magazine Young chronicles a distinctly American brand of deception in this history of hoaxers, fabricators, liars, and imposters. . . . [He] astutely declares the hoax a frequent metaphor for a 'deep-seated cultural wish' that confirms prejudicial ideas and stereotypes. . . . Young's remarks on race and his comparison of Trump and Barnum, both of whom gained power from spectacle, in the book's coda are well worth sifting through. --Publishers Weekly, starred review As we adjust to life with a president who plays fast and loose with the truth and whose backstory arouses growing skepticism, this examination of the long and colorful history of hoaxes and cons is most welcome. . . . Compelling and eye-opening. --Booklist, starred review Fake news and alternative facts have a long and complex history in American culture. Young, an award-winning poet and director of the New York Schomburg Center for Research in Black Culture, explores the deep roots of hoaxing in entertainment, literature, journalism, sports, and public life. . . . The final chapter touches on the current 'post-fact' world and its rejection of expertise, raising important questions about how we can know the truth. This dense and wide-ranging critique offers a fascinating view of the impact of fraud on truth. --Library Journal, starred review A fascinating, well-researched look at the many ways Americans hoodwink each other, often about race. --Kirkus Reviews Young chronicles a distinctly American brand of deception in this history of hoaxers, fabricators, liars, and imposters. . . . [He] astutely declares the hoax a frequent metaphor for a 'deep-seated cultural wish' that confirms prejudicial ideas and stereotypes. . . . Young's remarks on race and his comparison of Trump and Barnum, both of whom gained power from spectacle, in the book's coda are well worth sifting through. --Publishers Weekly, starred review Fake news and alternative facts have a long and complex history in American culture. Young, an award-winning poet and director of the New York Schomburg Center for Research in Black Culture, explores the deep roots of hoaxing in entertainment, literature, journalism, sports, and public life. . . . The final chapter touches on the current 'post-fact' world and its rejection of expertise, raising important questions about how we can know the truth. This dense and wide-ranging critique offers a fascinating view of the impact of fraud on truth. --Library Journal, starred review A fascinating, well-researched look at the many ways Americans hoodwink each other, often about race. --Kirkus Reviews

Young chronicles a distinctly American brand of deception in this history of hoaxers, fabricators, liars, and imposters. . . . [He] astutely declares the hoax a frequent metaphor for a 'deep-seated cultural wish' that confirms prejudicial ideas and stereotypes. . . . Young's remarks on race and his comparison of Trump and Barnum, both of whom gained power from spectacle, in the book's coda are well worth sifting through. --Publishers Weekly, starred review A fascinating, well-researched look at the many ways Americans hoodwink each other, often about race. --Kirkus Reviews

Author Information

Kevin Young is the author of a previous book of nonfiction, The Grey Album, and eleven books of poetry, including Blue Laws, which was long-listed for the National Book Award. He is the director of the Schomburg Center for Research in Black Culture in Harlem.

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