Overview

"Notation in Johannes Brahms's sonata scores tells violinists and pianists far more than merely what pitches to play and how long to play them--if read carefully, these scores reveal an immense amount of expression, both of musical and human essences. Joel Lester's Brahms's Violin Sonatas magnifies key passages from these scores, revealing in clear and accessible language how the composer built his themes and musical narratives and how, ultimately, Brahms's music came to sound Brahmsian. Through close readings and annotated musical examples, Brahms's Violin Sonatas guides practitioners to read scores with care and to develop their own informed interpretation of the pieces, eschewing the notion of a single ""correct"" interpretation of the historical score. By exploring not only the sonatas' musical elements, but also their relationship to important events in the composer's life, Lester shows how subtle components can communicate the gestures, moods, personalities, and emotions that make Brahms's music so compelling. A companion volume to the author's award-winning 1999 study Bach's Works for Solo Violin: Style, Structure, and Performance (OUP), Brahms's Violin Sonatas is a clear and practical guide to understanding and performing Brahms's music in the present."

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9780190087074

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Reviews

This book demonstrates Joel Lester's predilection for detailed motivic, harmonic, rhythmic, textural and registral analyses. It shows beautifully how the patterns revealed by analysis contribute to larger narratives and enable Brahms to re-imagine classical formal structures. And, his frequent asides to the performer and listener reflect his many years of experience as a violinist and performance coach. -- Jack Boss, University of Oregon This volume is about the sheer sound of Brahms's music. It's written by a consummate musician reveling in the beauty of every detail and marveling at how each gesture influences performance and analytical decisions. -- Heather Platt, Professor of Music History, Ball State University

This book demonstrates Joel Lester's predilection for detailed motivic, harmonic, rhythmic, textural and registral analyses. It shows beautifully how the patterns revealed by analysis contribute to larger narratives and enable Brahms to re-imagine classical formal structures. And, his frequent asides to the performer and listener reflect his many years of experience as a violinist and performance coach. * Jack Boss, University of Oregon * This volume is about the sheer sound of Brahms's music. It's written by a consummate musician reveling in the beauty of every detail and marveling at how each gesture influences performance and analytical decisions. * Heather Platt, Professor of Music History, Ball State University *

This volume is about the sheer sound of Brahms's music. It's written by a consummate musician reveling in the beauty of every detail and marveling at how each gesture influences performance and analytical decisions. * Heather Platt, Professor of Music History, Ball State University * This book demonstrates Joel Lester's predilection for detailed motivic, harmonic, rhythmic, textural and registral analyses. It shows beautifully how the patterns revealed by analysis contribute to larger narratives and enable Brahms to re-imagine classical formal structures. And, his frequent asides to the performer and listener reflect his many years of experience as a violinist and performance coach. * Jack Boss, University of Oregon *

Author Information

Joel Lester is Professor Emeritus at the CUNY Graduate Center and The City College of New York. A scholar, violinist, and administrator, he was also Dean of Mannes College of Music from 1996 until 2011. He is the author of Bach's Solo Works for Solo Violin (OUP, 1999), Compositional Theory in the Eighteenth Century, and Analytic Approaches to 20th-Century Music.

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