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Author:   Professor James Porter ,  Emeritus Professor Ralph P. Locke (Series Editor)
Publisher:   Boydell & Brewer Ltd
Imprint:   University of Rochester Press
Weight:   0.001kg
ISBN:  

9781648250347

ISBN 10:   1648250343
Pages:   424
Publication Date:   15 March 2022
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

"Note to the Reader Battling Critics, Engaging Composers: Ossian's Spell On Macpherson's Native Heath: Primary Sources A Culture without Writing, Settings without A Score, Haydn without Copyright, and Two Oscars on Stage ""A Musical Piece"": Harriet Wainewright's Opera, Comàla (1792) Between Gluck and Berlioz: Méhul's Uthal (1806) Fingallo e Comala (1805) and Ardano e Dartula (1825): The Ossianic Operas of Stefano Pavesi From Venice to Lisbon and St. Petersburg: Calto, Clato, Aganadeca, Gaulo ed Oitona and Two Fingals Beethoven's Ossianic Manner, or, Where Scholars Fear to Tread Excursus: Mendelssohn Waives the Rules: ""Overture to the Isles of Fingal"" and an ""Unfinished"" Coda The Maiden Bereft: ""Colma"" from Rust (1780) to Schubert (1816) Scènes lyriques sans frontières: Louis Théodore Gouvy's Le dernier Hymne d'Ossian (1858) and Lucien Hillemacher's Fingal (1880) Ossian in Symbolic Conflict: Bernhard Hopffer's Darthula's Grabesgesang (1878), Jules Bordier's Un rêve d'Ossian (1885), and Paul Umlauft's Agandecca (1890) The Musical Stages of ""Darthula"": From Thomas Linley Jr (ca.1775) to Arnold Schoenberg (1903) and Armin Knab (1906) Cantatas as Drama: Joseph Jongen's Comala (1897), Jørgen Malling's Kyvala (1902) and Liza Lehmann's Leaves from Ossian (1909) Symphonic Poem and Orchestral Fantasy: Alexandre Levy's Comala (1890), and Charles Villiers Stanford's Lament for the Son of Ossian (1903) Neo-Romanticism in Britain and America: John Laurence Seymour's ""Shilric's Song"" (from Six Ossianic Odes), and Cedric Thorpe Davie's cantata, Dirge for Cuchullin (both 1936) Modernity, Modernism and Ossian: Erik Chisholm's Night Song of the Bards (1944-51), James MacMillan's The Death of Oscar (2013), and Jean Guillou's Ballade Ossianique No. 2: Les Chants de Selma (1971, rev. 2005) Afterword: The ""Half-Viewless Harp"" - Secondary Resonances of Ossian Appendix 1:Title Page and Dedication of Harriet Wainewright's Comàla Appendix 2: French and German Texts of Gouvy's Le dernier Hymne d'Ossian Appendix 3: Texts for Erik Chisholm's Night Song of the Bards Appendix 4: Provisional List of Musical Compositions Based on the Poems of Ossian Notes Selected Bibliography"

Reviews

Illustrates, through the continuing popularity of Ossian throughout the eighteenth and nineteenth centuries, the influence of folk legend on art-culture and popular culture. * JOURNAL OF FOLKLORE RESEARCH * Beyond Fingal's Cave: Ossian in the Musical Imagination is destined to become the definitive scholarly handbook on the most influential cultural obsession of Europe and the United States around the turn of the nineteenth century. Sweeping in scope and inclusive of vernacular as well as concert repertoires, Porter's book situates the cult of Ossian in a 'landscape of feeling' that arose out of the Burkean dichotomy between the sublime and the beautiful, while also interrogating the themes of power and subjugation. -- John Michael Cooper, author of <i>Mendelssohn, Goethe, and the Walpurgis Night</i> Porter discloses an intricate network of international lines of influence linking Scotland to the musical cultures of Britain, France, Germany, Italy, Russia, and America. His study brings to light unsung composers, some of whom were women. Porter makes the most persuasive case for Beethoven himself. Most riveting...is his excursus on Mendelssohn. Porter's intimate knowledge of the source material enables him to gauge the relative degree and success of each...blend of the old and the new. * EIGHTEENTH-CENTURY STUDIES * To say that the coverage and scope is impressive is almost an understatement. A thoroughly scholarly work, the monograph would find a welcome place in any university or conservatoire collection. -- Karen E. McAulay * BRIO * In the musical arena, the [Ossian] poems inspired uncountable compositions in the most varied genres, from opera to piano cycle and from overture to symphony. Porter's descriptions are vivid and well written. His knowledge of the [scholarly] literature goes deep. Porter's study is exemplary in its depth and nuance. * DIE MUSIKFORSCHUNG * Authoritative and imaginative. Technical analysis is a huge strength throughout. Beyond Fingal's Cave shows exactly why the impact of Macpherson's Ossian transcends genre, period, nation, and performance styles. This book is a scholarly tour de force, erudite and analytically fearless. It is a splendid addition to the growing body of scholarship on Ossian. -- Valentina Bold * EIGHTEENTH-CENTURY SCOTLAND * Offers fresh consideration of the relevance and immediacy of Ossian. The book accomplishes its task admirably. The book covers music from roughly 1770 to the present. Despite this enormous scope, its strength is consistent. Throughout the volume, Porter makes compelling key-related observations. What most impresses me about Porter's book...is how it...make[s] a case for the value of the music he describes. -- Sarah Clemmens Waltz * JOURNAL OF MUSICOLOGICAL RESEARCH * A fascinating and comprehensive survey. Clear notes on individual responses across most of the nations of Western Europe demonstrate the author's command of the material. -- Jane Pettegree * Soundyngs: Conversations on the History of Scottish Music *

Illustrates, through the continuing popularity of Ossian throughout the eighteenth and nineteenth centuries, the influence of folk legend on art-culture and popular culture. * JOURNAL OF FOLKLORE RESEARCH * Beyond Fingal's Cave: Ossian in the Musical Imagination is destined to become the definitive scholarly handbook on the most influential cultural obsession of Europe and the United States around the turn of the nineteenth century. Sweeping in scope and inclusive of vernacular as well as concert repertoires, Porter's book situates the cult of Ossian in a 'landscape of feeling' that arose out of the Burkean dichotomy between the sublime and the beautiful, while also interrogating the themes of power and subjugation. -- John Michael Cooper, author of <i>Mendelssohn, Goethe, and the Walpurgis Night</i> Porter discloses an intricate network of international lines of influence linking Scotland to the musical cultures of Britain, France, Germany, Italy, Russia, and America. His study brings to light unsung composers, some of whom were women. Porter makes the most persuasive case for Beethoven himself. Most riveting...is his excursus on Mendelssohn. Porter's intimate knowledge of the source material enables him to gauge the relative degree and success of each...blend of the old and the new. * EIGHTEENTH-CENTURY STUDIES * To say that the coverage and scope is impressive is almost an understatement. A thoroughly scholarly work, the monograph would find a welcome place in any university or conservatoire collection. -- Karen E. McAulay * BRIO * In the musical arena, the [Ossian] poems inspired uncountable compositions in the most varied genres, from opera to piano cycle and from overture to symphony. Porter's descriptions are vivid and well written. His knowledge of the [scholarly] literature goes deep. Porter's study is exemplary in its depth and nuance. * DIE MUSIKFORSCHUNG * Authoritative and imaginative. Technical analysis is a huge strength throughout. Beyond Fingal's Cave shows exactly why the impact of Macpherson's Ossian transcends genre, period, nation, and performance styles. This book is a scholarly tour de force, erudite and analytically fearless. It is a splendid addition to the growing body of scholarship on Ossian. -- Valentina Bold * EIGHTEENTH-CENTURY SCOTLAND *

Author Information

JAMES PORTER is Professor Emeritus of Music at UCLA and an Honorary Professor of the University of Aberdeen.

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