Overview

""Groskop skillfully juggles memoir, biography, philosophy, and literary criticism to create a delightful tour through some of French literature's greats."" --Madeline Miller, New York Times bestselling author Like many people the world over, Viv Groskop wishes she was a little more French. A writer, comedian, and journalist, Groskop studied the language obsessively starting at age eleven, and spent every vacation in France, desperate to escape her Englishness and to have some French chic rub off on her. In Au Revoir, Tristesse, Groskop mixes literary history and memoir to explore how the classics of French literature can infuse our lives with joie de vivre and teach us how to say goodbye to sadness. From the frothy hedonism of Colette and the wit of Cyrano de Bergerac to the intoxicating universe of Marguerite Duras and the heady passions of Les Liaisons dangereuses, this is a love letter to great French writers. With chapters on Marcel Proust, Victor Hugo, Gustave Flaubert, Stendhal, Honoré de Balzac, Albert Camus, and of course Françoise Sagan, this is a must-listen for book lovers everywhere.

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Viv Groskop is an award-winning comedian, writer, and broadcaster. She is the author of The Anna Karenina Fix: Life Lessons from Russian Literature. She writes for the Guardian, Observer, and Financial Times and is the host of the chart-topping podcast How to Own the Room, where she has interviewed Hillary and Chelsea Clinton, Margaret Atwood, and Julie Andrews. She lives in London. Gabrielle Baker is a highly respected and experienced British voice actor with her own studio at her home in Kent, England. A trained actor, she has become a bestselling audiobook narrator for award-winning authors around the world. Gabrielle has a natural RP British accent and is also experienced with accents such as Dublin, Cork, Scottish, Australian, and most regional British accents. More than anything Gabrielle describes herself as a ""storyteller,"" and her love and passion for audiobooks has seen her rise in the industry over the last few years. She has a strong following of listeners and authors who seek out her work, and she has been described as "" . . . an auditory joy!""

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