Overview

A great theater critic brings twentieth-century playwright Arthur Miller's dramatic story to life with bold and revealing new insights. Distinguished theater critic John Lahr brings unique perspective to the life of Arthur Miller (1915-2005), the playwright who almost single-handedly propelled twentieth-century American theater into a new level of cultural sophistication. Organized around the fault lines of Miller's life--his family, the Great Depression, the rise of fascism, Elia Kazan and the House Committee on Un-American Activities, Marilyn Monroe, Vietnam, and the rise and fall of Miller's role as a public intellectual--this book demonstrates the synergy between Arthur Miller's psychology and his plays. Concentrating largely on Miller's most prolific decades of the 1940s, 1950s, and 1960s, Lahr probes Miller's early playwriting failures; his work writing radio plays during World War II after being rejected for military service; his only novel, Focus; and his succession of award-winning and canonical plays that include All My Sons, Death of a Salesman, and The Crucible, providing an original interpretation of Miller's work and his personality.

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Reviews

A superbly written, impeccably researched biography from the great John Lahr. The close relationship between Miller and his plays is detailed and sympathetic. A classic book about a classic American playwright. -- Andre Bishop, Artistic Director, Lincoln Center Theater In Arthur Miller, the great critic and biographer John Lahr has found a perfect subject: complex, gifted, a man of his times. This is biography-as-collaboration, and utterly captivating. -- Hilton Als, Pulitzer Prize-winning essayist and author Lahr lets us see the great American playwright with new eyes. After his highly acclaimed Tennessee Williams biography, Lahr scores a second smash hit with Arthur Miller. No one writes more perceptively about the twentieth century theater than John Lahr. -- John Guare, playwright, author of Six Degrees of Separation No one writes about playwrights and the theater the way John Lahr does. In this probing, brilliantly insightful, and also deeply readable and entertaining book, he offers unique insight into how Miller's mind works, and how the details of his biography impacted his body of work. -- Sarah Ruhl, playwright and MacArthur Fellow

Author Information

John Lahr has been a contributor to the New Yorker since 1991, where for twenty-one years he was its senior drama critic. He is the author of eighteen books, including Tennessee Williams: Mad Pilgrimage of the Flesh, which won the National Book Critics Circle Award for Biography. Kevin Baker is the author of one previous novel, Sometimes You See It Coming, and served as chief historical researcher for the recently published The American Century by Harold Evans. He is married and lives in New York City.John Rubenstein won a Theater World Award, a Tony, and a Drama Desk Award for his performances in Pippin and Children of a Lesser God.

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