Overview

This is the second volume of the widely acclaimed Art of the Cut book published in 2017. This follow-up text expands on its predecessor with wisdom from more than 360 interviews with the world’s best editors (including nearly every Oscar winner from the last 30 years). Because editing is a highly subjective art form, and one that is critical to the success of motion picture storytelling, it requires side-by-side comparisons of the many techniques and solutions used by a wide range of editors from around the world. That is why this book compares and contrasts methodologies from a wide array of diverse voices and organizes that information so that it is easily digested and understood. There is no one way to approach editorial problems, so this book allows readers to see multiple solutions from multiple editors. The interviews contained within are carefully curated into topics that are most important to film editors and those who aspire to become film editors. The questions asked, and the organization of the book, are not merely an academic or theoretical view of the art of editing but rather the practical advice and methodologies of actual working film and TV editors, bringing benefits to both students and professional readers. The book is supplemented by a collection of downloadable online exclusive chapters, which cover additional topics ranging from Choosing the Project to VFX. In addition to the supplementary chapters, access to the full-color, full-resolution images printed in the book—and other exclusive images—is included.

Full Product Details

Author:   Steve Hullfish
Publisher:   Taylor & Francis Ltd
Imprint:   Focal Press
Weight:   0.650kg
ISBN:  

9781032521305

ISBN 10:   1032521309
Pages:   338
Publication Date:   18 July 2024
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Section 1: Preparation 1. Organization 2. Watching Dailies Section 2: Creative–Micro-Level Editing Decisions 3. Approach to a Scene 4. Performance 5. Coverage and Shot Size 6. Reaction Shots 7. Subtext 8. Pace and Rhythm 9. Music 10. Sound 11. Transitions 12. Jump Cuts and Flashbacks 13. Miscellaneous Wisdom Section 3: Creative–Macro-Level Editing Decisions 14. Storytelling 15. Structure 16. Assembling the Scenes into a Story 17. Editor's Cut 18. Process 19. Intercutting 20. Judging Editing Section 4: Social 21. Breaking in and Background Employment 22. Landing the Gig 23. Collaborating with the Director 24. Dealing with Notes 25. Ego 26. Assistant Editors 27. Mini Biographies

Reviews

"“A beautifully curated, very thorough look at the art and process of film editing. It was enlightening to see how my colleagues - editors and assistants at the top of their game - work through the daily challenges and discover creative solutions to telling cinematic stories. I learned a lot.” Eddie Hamilton, ACE (editor of Top Gun: Maverick, Mission: Impossible - Dead Reckoning, and The Kingsman: Secret Service) “In ART OF THE CUT, Steve amasses such an arsenal of advice, it reminds me of something I was lucky enough to experience as an assistant: a corridor of benevolent editors, sharing wisdom borne of decades.” Joe Walker, ACE, (Oscar-winning editor of Dune, Bladerunner 2049, Arrival) ""Steve Hullfish continues his ground-breaking topic-oriented format, creating a virtual conversation/argument /debate among the 263 editors he has interviewed over the last ten years, probing 26 subjects such as Ego, Subtext, Music, Performance, Pacing, Preparation, etc. These topics are then gathered into what Hullfish correctly identifies as the three essential river-systems that nourish our work: the technical, the creative, and the social — each one as crucial as the others. Highest recommendation."" Walter Murch , ACE (Oscar-winning editor of Apocolypse Now) “In ART OF THE CUT, Steve amasses such an arsenal of advice, it reminds me of something I was lucky enough to experience as an assistant: a corridor of benevolent editors, sharing wisdom borne of decades.” Joe Walker, ACE (Oscar-winning editor of Dune, Bladerunner 2049, Arrival) “A beautifully curated, very thorough look at the art and process of film editing. It was enlightening to see how my colleagues - editors and assistants at the top of their game - work through the daily challenges and discover creative solutions to telling cinematic stories. I learned a lot.” Eddie Hamilton, ACE (editor of Top Gun: Maverick, Mission: Impossible - Dead Reckoning, and The Kingsman: Secret Service) “Steve Hullfish, ACE connects with his subjects in a way that only a fellow film editor can and digs into their timelines, stories and convictions. All those who appreciate the art and science of film editing will cherish this book."" Tom Cross, ACE (Oscar-winning editor, films include Whiplash, La La Land and No Time to Die)"

“A beautifully curated, very thorough look at the art and process of film editing. It was enlightening to see how my colleagues - editors and assistants at the top of their game - work through the daily challenges and discover creative solutions to telling cinematic stories. I learned a lot.” Eddie Hamilton, ACE (editor of Top Gun: Maverick, Mission: Impossible - Dead Reckoning, and The Kingsman: Secret Service) “In ART OF THE CUT, Steve amasses such an arsenal of advice, it reminds me of something I was lucky enough to experience as an assistant: a corridor of benevolent editors, sharing wisdom borne of decades.” Joe Walker, ACE, (Oscar-winning editor of Dune, Bladerunner 2049, Arrival) “A beautifully curated, very thorough look at the art and process of film editing. It was enlightening to see how my colleagues - editors and assistants at the top of their game - work through the daily challenges and discover creative solutions to telling cinematic stories. I learned a lot.” Eddie Hamilton, ACE (editor of Top Gun: Maverick, Mission: Impossible - Dead Reckoning, and The Kingsman: Secret Service) “In ART OF THE CUT, Steve amasses such an arsenal of advice, it reminds me of something I was lucky enough to experience as an assistant: a corridor of benevolent editors, sharing wisdom borne of decades.” Joe Walker, ACE, (Oscar-winning editor of Dune, Bladerunner 2049, Arrival)

"“A beautifully curated, very thorough look at the art and process of film editing. It was enlightening to see how my colleagues - editors and assistants at the top of their game - work through the daily challenges and discover creative solutions to telling cinematic stories. I learned a lot.” Eddie Hamilton, ACE (editor of Top Gun: Maverick, Mission: Impossible - Dead Reckoning, and The Kingsman: Secret Service) “In ART OF THE CUT, Steve amasses such an arsenal of advice, it reminds me of something I was lucky enough to experience as an assistant: a corridor of benevolent editors, sharing wisdom borne of decades.” Joe Walker, ACE, (Oscar-winning editor of Dune, Bladerunner 2049, Arrival) “A beautifully curated, very thorough look at the art and process of film editing. It was enlightening to see how my colleagues - editors and assistants at the top of their game - work through the daily challenges and discover creative solutions to telling cinematic stories. I learned a lot.” Eddie Hamilton, ACE (editor of Top Gun: Maverick, Mission: Impossible - Dead Reckoning, and The Kingsman: Secret Service) “In ART OF THE CUT, Steve amasses such an arsenal of advice, it reminds me of something I was lucky enough to experience as an assistant: a corridor of benevolent editors, sharing wisdom borne of decades.” Joe Walker, ACE, (Oscar-winning editor of Dune, Bladerunner 2049, Arrival) ""Steve Hullfish continues his ground-breaking topic-oriented format, creating a virtual conversation/argument /debate among the 263 editors he has interviewed over the last ten years, probing 26 subjects such as Ego, Subtext, Music, Performance, Pacing, Preparation, etc. These topics are then gathered into what Hullfish correctly identifies as the three essential river-systems that nourish our work: the technical, the creative, and the social — each one as crucial as the others. Highest recommendation."" Walter Murch (Oscar-winning editor of Apocolypse Now)"

Author Information

Steve Hullfish, ACE, has been editing professionally since 1984. He has edited theatrical feature films, (including Courageous, War Room, and Overcomer), TV series (including The Oprah Winfrey Show), and documentaries. He is the author of six other books on editing and post-production. He has taught editing to students and professionals all over the world, and his books have been translated into numerous languages. His work has also been published in post-production trade journals worldwide.

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