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OverviewFull Product DetailsAuthor: Steve HullfishPublisher: Taylor & Francis Ltd Imprint: Focal Press Weight: 0.811kg ISBN: 9781032531908ISBN 10: 1032531908 Pages: 338 Publication Date: 18 July 2024 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsSection 1: Preparation 1. Organization 2. Watching Dailies Section 2: Creative–Micro-Level Editing Decisions 3. Approach to a Scene 4. Performance 5. Coverage and Shot Size 6. Reaction Shots 7. Subtext 8. Pace and Rhythm 9. Music 10. Sound 11. Transitions 12. Jump Cuts and Flashbacks 13. Miscellaneous Wisdom Section 3: Creative–Macro-Level Editing Decisions 14. Storytelling 15. Structure 16. Assembling the Scenes into a Story 17. Editor's Cut 18. Process 19. Intercutting 20. Judging Editing Section 4: Social 21. Breaking in and Background Employment 22. Landing the Gig 23. Collaborating with the Director 24. Dealing with Notes 25. Ego 26. Assistant Editors 27. Mini BiographiesReviews“A beautifully curated, very thorough look at the art and process of film editing. It was enlightening to see how my colleagues - editors and assistants at the top of their game - work through the daily challenges and discover creative solutions to telling cinematic stories. I learned a lot.” Eddie Hamilton, ACE (editor of Top Gun: Maverick, Mission: Impossible - Dead Reckoning, and The Kingsman: Secret Service) “In ART OF THE CUT, Steve amasses such an arsenal of advice, it reminds me of something I was lucky enough to experience as an assistant: a corridor of benevolent editors, sharing wisdom borne of decades.” Joe Walker, ACE, (Oscar-winning editor of Dune, Bladerunner 2049, Arrival) “A beautifully curated, very thorough look at the art and process of film editing. It was enlightening to see how my colleagues - editors and assistants at the top of their game - work through the daily challenges and discover creative solutions to telling cinematic stories. I learned a lot.” Eddie Hamilton, ACE (editor of Top Gun: Maverick, Mission: Impossible - Dead Reckoning, and The Kingsman: Secret Service) “In ART OF THE CUT, Steve amasses such an arsenal of advice, it reminds me of something I was lucky enough to experience as an assistant: a corridor of benevolent editors, sharing wisdom borne of decades.” Joe Walker, ACE, (Oscar-winning editor of Dune, Bladerunner 2049, Arrival) "“A beautifully curated, very thorough look at the art and process of film editing. It was enlightening to see how my colleagues - editors and assistants at the top of their game - work through the daily challenges and discover creative solutions to telling cinematic stories. I learned a lot.” Eddie Hamilton, ACE (editor of Top Gun: Maverick, Mission: Impossible - Dead Reckoning, and The Kingsman: Secret Service) “In ART OF THE CUT, Steve amasses such an arsenal of advice, it reminds me of something I was lucky enough to experience as an assistant: a corridor of benevolent editors, sharing wisdom borne of decades.” Joe Walker, ACE, (Oscar-winning editor of Dune, Bladerunner 2049, Arrival) ""Steve Hullfish continues his ground-breaking topic-oriented format, creating a virtual conversation/argument /debate among the 263 editors he has interviewed over the last ten years, probing 26 subjects such as Ego, Subtext, Music, Performance, Pacing, Preparation, etc. These topics are then gathered into what Hullfish correctly identifies as the three essential river-systems that nourish our work: the technical, the creative, and the social — each one as crucial as the others. Highest recommendation."" Walter Murch , ACE (Oscar-winning editor of Apocolypse Now) “In ART OF THE CUT, Steve amasses such an arsenal of advice, it reminds me of something I was lucky enough to experience as an assistant: a corridor of benevolent editors, sharing wisdom borne of decades.” Joe Walker, ACE (Oscar-winning editor of Dune, Bladerunner 2049, Arrival) “A beautifully curated, very thorough look at the art and process of film editing. It was enlightening to see how my colleagues - editors and assistants at the top of their game - work through the daily challenges and discover creative solutions to telling cinematic stories. I learned a lot.” Eddie Hamilton, ACE (editor of Top Gun: Maverick, Mission: Impossible - Dead Reckoning, and The Kingsman: Secret Service) “Steve Hullfish, ACE connects with his subjects in a way that only a fellow film editor can and digs into their timelines, stories and convictions. All those who appreciate the art and science of film editing will cherish this book."" Tom Cross, ACE (Oscar-winning editor, films include Whiplash, La La Land and No Time to Die)" "“A beautifully curated, very thorough look at the art and process of film editing. It was enlightening to see how my colleagues - editors and assistants at the top of their game - work through the daily challenges and discover creative solutions to telling cinematic stories. I learned a lot.” Eddie Hamilton, ACE (editor of Top Gun: Maverick, Mission: Impossible - Dead Reckoning, and The Kingsman: Secret Service) “In ART OF THE CUT, Steve amasses such an arsenal of advice, it reminds me of something I was lucky enough to experience as an assistant: a corridor of benevolent editors, sharing wisdom borne of decades.” Joe Walker, ACE, (Oscar-winning editor of Dune, Bladerunner 2049, Arrival) “A beautifully curated, very thorough look at the art and process of film editing. It was enlightening to see how my colleagues - editors and assistants at the top of their game - work through the daily challenges and discover creative solutions to telling cinematic stories. I learned a lot.” Eddie Hamilton, ACE (editor of Top Gun: Maverick, Mission: Impossible - Dead Reckoning, and The Kingsman: Secret Service) “In ART OF THE CUT, Steve amasses such an arsenal of advice, it reminds me of something I was lucky enough to experience as an assistant: a corridor of benevolent editors, sharing wisdom borne of decades.” Joe Walker, ACE, (Oscar-winning editor of Dune, Bladerunner 2049, Arrival) ""Steve Hullfish continues his ground-breaking topic-oriented format, creating a virtual conversation/argument /debate among the 263 editors he has interviewed over the last ten years, probing 26 subjects such as Ego, Subtext, Music, Performance, Pacing, Preparation, etc. These topics are then gathered into what Hullfish correctly identifies as the three essential river-systems that nourish our work: the technical, the creative, and the social — each one as crucial as the others. Highest recommendation."" Walter Murch (Oscar-winning editor of Apocolypse Now)" Author InformationSteve Hullfish, ACE, has been editing professionally since 1984. He has edited theatrical feature films, (including Courageous, War Room, and Overcomer), TV series (including The Oprah Winfrey Show), and documentaries. He is the author of six other books on editing and post-production. He has taught editing to students and professionals all over the world, and his books have been translated into numerous languages. His work has also been published in post-production trade journals worldwide. Tab Content 6Author Website:Countries AvailableAll regions |
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