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OverviewThe commodification of Islamic antiques intensified in the late Ottoman Empire, an age of domestic reform and increased European interference following the Tanzimat (reorganisation) of 1839. Mercedes Volait examines the social life of typical objects moving from Cairo and Damascus to Paris, London, and beyond, uncovers the range of agencies and subjectivities involved in the trade of architectural salvage and historic handicraft, and traces impacts on private interiors, through creative reuse and Revival design, in Egypt, Europe and America. By devoting attention to both local and global engagements with Middle Eastern tangible heritage, the present volume invites to look anew at Orientalism in art and interior design, the canon of Islamic architecture and the translocation of historic works of art. Full Product DetailsAuthor: Mercedes VolaitPublisher: Brill Imprint: Brill Weight: 1.114kg ISBN: 9789004470705ISBN 10: 9004470700 Pages: 284 Publication Date: 23 June 2021 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In stock  We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsAcknowledgments List of Illustrations Introduction: Connecting Historiographies, Challenging Assumptions 1 Things, People and Places 2 Structure of the Book 3 A Variety of Sources 4 Data Re-Identification 5 Revising the Narrative 1 Early Shows and Sales of Islamic Antiques in Paris 1 Orientalia at the Musée rétrospectif in 1865 2 Egyptian Architectural Salvage at the Exposition universelle of 1867 3 The Sale and Display of an Egyptian Collection in 1869 4 Shifting Trajectories and Contexts 2 Expanding Trades in Late Ottoman Cairo and Damascus 1 Distinctive Profiles and Iconic Artefacts 2 The kursī as Global Commodity 3 Market Adjustments 3 Conflicted Commodification in Cairo 1 Urban and Domestic Reform 2 Inducement and Resistance to Commodification 3 Contrasting Attitudes 4 Fashioning Immersive Displays in Egypt and Beyond 1 Atmospheric Interiors for Western Connoisseurs 2 The Living Culture of Reuse in Egypt 3 The Social Outreach of Revivalism 4 Islamic Art as Intrinsically Architectural 5 Guise and Disguise Before and During the Tanzimat 1 Codification and the Intricacies of Cross-Cultural Dressing in Pre-Tanzimat Times 2 Dressing Native in Nineteenth-Century Egypt and Back Home 3 Costume for History and Leisure in Painting and Photography 4 A Gendered Collecting Culture Epilogue: Diverging Routes 1 Bygone Ways of Inhabiting the Past and the World 2 Estrangements 3 Endurances References Primary Sources Websites Printed Sources Bibliography Indices Index of Personal Names Index of Place Names General IndexReviews"""With Antique Dealing and Creative Reuse in Cairo and Damascus 1850–1890, Volait has produced a truly ground-breaking study that should be required reading not only for scholars of Islamic art and architecture, but also for those of broader material culture studies. Its findings require us to approach questions of global material entanglement with greater nuance, even if we do not necessarily arrive at the same interpretive conclusions that Volait does. This is a book that will undoubtedly inspire a new generation of students to emulate the author’s rigorous research methodologies and think more critically about cultural appropriation and exchange.."" Ellen Kenney, in: Nineteenth-Century Art Worldwide 21/3 (2022)" Author InformationMercedes Volait, Ph.D. (1993), Aix-Marseille University, is Research Professor at the French National Centre for Scientific Research (CNRS) in Paris. She has numerous publications on art, architecture and photography in Modern Egypt, as well as Islamic art collecting in Europe. Tab Content 6Author Website:Countries AvailableAll regions |
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