Overview

Hearing Form: Musical Analysis With and Without the Score, Third Edition is a complete course package for undergraduate courses on musical forms, with comprehensive coverage from the Baroque to the Romantic. Placing emphasis on listening, it teaches students to analyze music both with and without the use of a score, covering phrase endings and cadences, harmonic sequence types, modulations, formal sections, and musical forms. Hearing Form is supported by an integrated workbook section, its own full-score anthology, and a companion website containing an instructor’s manual, test bank, and audio streaming and downloads of recordings for the pieces in the anthology. Key updates in the third edition include: Treatment of phrases and cadences now allows the book to be used by both instructors who teach that all phrases end with cadences, and those teach that some phrases do not New pieces added to the anthology widen the range of composers represented With an engaging and practical approach informed by recent scholarship, Hearing Form enables students to recognize musical elements both by sight and by ear. This is the Hearing Form anthology only. For the Hearing Form textbook, see ISBN 978-0-367-70380-6. For the textbook and anthology package, see ISBN 978-0-367-70391-2.

Full Product Details

Author:   Matthew Santa (Texas Tech University, USA)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Edition:   3rd edition
Weight:   1.360kg
ISBN:  

9780367703899

ISBN 10:   0367703890
Pages:   466
Publication Date:   30 December 2022
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

"J. S. Bach, Goldberg Variations, Aria J. S. Bach, Two-Part Inventions, No. 1 in C Major J. S. Bach, Two-Part Inventions, No. 13 in A Minor J. S. Bach, The Well-Tempered Clavier, Book I, Prelude in C Major J. S. Bach, The Well-Tempered Clavier, Book I, Fugue in F Major J. S. Bach, The Well-Tempered Clavier, Book I, Fugue in B Major J. S. Bach, The Well-Tempered Clavier, Book II, Fugue in E Minor J. S. Bach, Partita No. 3 in E for Solo Violin, Gavotte en Rondeau J. S. Bach, Orchestral Suite No. 2, Badinerie J. S. Bach, Orchestral Suite No. 3, Air J. S. Bach, Orchestral Suite No. 3, Gavotte I J. S. Bach, Orchestral Suite No. 3, Gavotte II J. S. Bach, Mass in B Minor, ""Crucifixus"" Ludwig van Beethoven, Piano Sonata F Minor, Op. 2, No. 1, I Ludwig van Beethoven, Piano Sonata in C Minor, Op. 13, III Ludwig van Beethoven, Symphony No. 2 in D Major, IV Ludwig van Beethoven, Symphony No. 3 in E-flat Major, I Ludwig van Beethoven, Symphony No. 5 in C Minor, I Ludwig van Beethoven, String Quartet in C-Sharp Minor, Op. 131, I Johannes Brahms, Variations on a Theme by Haydn, Op. 56a Johannes Brahms, Symphony No. 4 in E Minor, IV Johannes Brahms, Violin Concerto in D Major, Op. 77, I Frederic Chopin, Prelude in E Minor Samuel Coleridge-Taylor, ""When I Am Dead, My Dearest"" Claude Debussy, Preludes, Book I, No. 10, ""La Cathédrale engloutie"" G. F. Handel, Giulio Cesare, I/5, ""Non Disperar"" G. F. Handel, Giulio Cesare, I/6, ""L’empio, sleale, indegno"" English translations of the Handel arias G. F. Handel, Messiah, Part I, Overture F. J. Haydn, Piano Sonata in C minor, Hob. XVI: 20, I F. J. Haydn, Piano Sonata in D Major, Hob. XVI: 37, III F. J. Haydn, Symphony No. 101 in D Major, IV F. J. Haydn, Symphony No. 103 in E-flat Major, I Fanny Mendelssohn Hensel, ""Schwanenlied"" Fanny Mendelssohn Hensel, ""Mayenlied"" English translations of the Hensel Lieder Paul Hindemith, Ludus Tonalis, Fugue No. 9 in B-Flat Sott Joplin, ""Maple Leaf Rag"" Josephine Lang, ""Den Abschied schnell genommen"" Josephine Lang, ""Ob ich manchmal Dein gedenke"" English translations of the Lang Lieder Franz Liszt, ""Nuages Gris"" W. A. Mozart, Piano Sonata in A Major, K. 331, I W. A. Mozart, Piano Sonata in B-Flat Major, K. 333, III W. A. Mozart, Eine kleine Nachtmusik (all four movements) W. A. Mozart, Symphony No. 35 in D Major, IV W. A. Mozart, Symphony No. 40 in G Minor, I W. A. Mozart, Symphony No. 40 in G Minor, III, Menuetto W. A. Mozart, Piano Concerto in D Major, K. 107, I W. A. Mozart, Piano Concerto in E-flat Major, K. 271, I Johann Pachelbel, Canon in D Henry Purcell, Dido and Anaeas, ""When I Am Laid in Earth"" George Rochberg, String Quartet No. 6, III. Variations Alessandro Scarlatti, L’honestà negli amori, ""Già il sole dal Gange"" Arnold Schoenberg, Suite for Piano, Op. 25, Minuet and Trio Franz Schubert, ""Heidenröslein"" Franz Schubert, Mignon, D. 321, ""Kennst du das Land?"" English translations of the Schubert Lieder Robert Schumann, Carnival, ""Eusebius"" Robert Schumann, Novelletten, Op. 21, No. 7 Richard Strauss, ""Morgen"" English translations of the Strauss and Wolf Lieder Giuseppi Verdi, La Traviata, ""È strano! … Ah, fors’è lui … Sempre libera"" English translation of ""È strano! … Ah, fors’è lui … Sempre libera"" Antonio Vivaldi, The Four Seasons, Concerto No. 2 (""Summer""), I Antonio Vivaldi, The Four Seasons, Concerto No. 4 (""Winter""), I Hugo Wolf, ""Verborgenheit"""

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Matthew Santa is a Professor of Music Theory and Chair of the Music Theory Area at the Texas Tech University School of Music.

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