Overview

Music and longing collide in this ballad of unrequited love! Nino Arisugawa, a girl who loves to sing, experiences her first heart-wrenching goodbye when her beloved childhood friend, Momo, moves away. And after Nino befriends Yuzu, a music composer, she experiences another sad parting! Luckily, Nino reunites with Momo and Yuzu in high school, but things haven’t played out the way anyone expected… When In No Hurry’s Rock Horizon performance ends in a whirl of frantic passion, does Nino’s voice reach Momo? And with the school festival coming up, the Pop Music Club prepares for its first performance in a long time…with things between Haruyoshi and Miou suddenly heating up!

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9781421594255

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Reviews

This book contains the first exhaustive analysis of Badiou's brilliant and surprising texts on Hegel. The essays include an excellent treatment of infinity in Badiou and Hegel that discusses precise mathematical ontology in a way that non-mathematicians can follow and participate in: this is the sort of Badiou scholarship we need. They also include theses on materiality and dialectic, subject and event, society and decision, art and politics, love and tragedy, and, of course, truth procedures. For its close readings of Badiou, and current approaches to Hegel, this collection is indispensible. What is especially good is that it forces readers to participate in controversial decisions, and raises the level at which these controversies will have to be pursued in the future. -- Jay Lampert, University of Guelph, Duquesne University This collection is a sustained and timely examination of the relationship between one of the foremost philosophers of the twenty-first century and one of the major thinkers of the nineteenth. Of equal use and importance to Badiou and Hegel scholars alike, these essays should provide the bedrock of any serious discussion of many key philosophical terms and approaches over the coming years. -- Nina Power, University of Roehampton

Author Information

Born on January 5 in Wakayama Prefecture in Japan, Ryoko Fukuyama debuted as a manga artist after winning the Hakusensha Athena Shinjin Taisho Prize from Hakusensha’s Hana to Yume magazine. She is also the author of Nosatsu Junkie. Anonymous Noise was adapted into an anime in 2017.

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