Overview

For decades, our world has understood that we are on the brink of an apocalypse--yet the only implemented solutions have been small and convenient, feel-good initiatives that avoid unpleasant truths about the root causes of our impending disaster. Wes Jackson and Robert Jensen argue that we must reconsider the origins of the consumption crisis and the challenges we face in creating a survivable future. Longstanding assumptions about economic growth and technological progress--the dream of a future of endless bounty--are no longer tenable. The climate crisis has already progressed beyond nondisruptive solutions. The end result will be apocalyptic; the only question now is how bad it will be. Jackson and Jensen examine how geographic determinism shaped our past and led to today's social injustice, consumerist culture, and high-energy/high-technology dystopias. The solution requires addressing today's systemic failures and confronting human nature by recognizing the limits of our ability to predict how those failures will play out over time. Though these massive challenges can feel overwhelming, the coauthors weave a secular reading of theological concepts--the prophetic, the apocalyptic, a saving remnant, and grace--to chart a realistic path for humanity not only to survive our apocalypse but also to emerge with a renewed appreciation of the larger living world.

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Robert Jensen is professor emeritus in the School of Journalism at the University of Texas, at Austin. He is the author of many books including The Restless and Relentless Mind of Wes Jackson: Searching for Sustainability and Plain Radical: Living, Loving, and Learning to Leave the Planet Gracefully. Wes Jackson is cofounder and president emeritus of The Land Institute in Salina, Kansas. A 1992 MacArthur Fellow, he is the author and coauthor of numerous books, including Hogs Are Up: Stories of the Land, with Digressions and New Roots for Agriculture. Graham Rowat is an award-winning narrator who has appeared in numerous television shows and stage productions. He has had roles on Broadway in Meteor Shower, Sunset Boulevard, Mamma Mia, Guys and Dolls, LoveMusik, Dracula, and Beauty and the Beast, and his Off-Broadway credits include The Blue Flower (Second Stage) and The Boys in the Band (Transport Group). Nationally, he has appeared in productions of White Christmas and Les Miserables, and his regional credits include Arsenic and Old Lace, Constellations (Berkshire Theatre Festival), and A Funny Thing . . . Forum (Two River Theater, Williamstown Theatre Festival). His television credits include Elementary and The Good Wife.

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