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9783838213897

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By relating the concept of ambiguity to the image-viewer relationship, Stuart Franklin provides a major contribution to the debate about the communicative and interactive approaches within the visual arts. He shows that as representations are made readable, they are integrated into active processes of meaning-construction.--Professor Karen Fromm, University of Applied Sciences and Arts, Hannover A well-informed and thoughtful book. Enriched with historical and theoretical references, the chapter on 'Time' gave me a greater understanding of the representation of time in photography/film.--Chino Otsuka, Photographer, Associate Professor of Film and Photography, Richmond, The American International University in London, UK

"“By relating the concept of ambiguity to the image-viewer relationship, Stuart Franklin provides a major contribution to the debate about the communicative and interactive approaches within the visual arts. He shows that as representations are made readable, they are integrated into active processes of meaning-construction.”—Professor Karen Fromm, University of Applied Sciences and Arts, Hannover ""A well-informed and thoughtful book. Enriched with historical and theoretical references, the chapter on ’Time’ gave me a greater understanding of the representation of time in photography/film.""—Chino Otsuka, Photographer, Associate Professor of Film and Photography, Richmond, The American International University in London, UK"

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Acclaimed writer and photographer Professor Stuart Franklin studied drawing and painting, photography and history of art as well as geography in Oxford, Whitechapel, London, and West Surrey College of Art and Design. In 1989, as a full member of Magnum Photos, Franklin photographed the uprising in Tiananmen Square and shot one of the Tank Man photographs, first published in Time Magazine, as well as widely documenting the uprising in Beijing, earning him a World Press Photo Award. He was awarded a professorship in documentary photography in 2016 by Volda University College, Norway. In the same year he published The Documentary Impulse (Phaidon). In 2017, Franklin was the general chair of the World Press Photo jury. In recent years, Franklin has received commissions from, and published articles in, Oxford University Press, Harper's Magazine, The New York Review of Books, The Guardian, the Financial Times Magazine, The Sunday Times Magazine, London, and Art Magazine, Hamburg.

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