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OverviewA colossal, panoramic, much-needed appraisal of the visual cultures of Afro-Atlantic territories across six centuries Named one of the best books of 2021 by Artforum Afro-Atlantic Histories brings together a selection of more than 400 works and documents by more than 200 artists from the 16th to the 21st centuries that express and analyze the ebbs and flows between Africa, the Americas, the Caribbean and Europe. The book is motivated by the desire and need to draw parallels, frictions and dialogues around the visual cultures of Afro-Atlantic territories—their experiences, creations, worshiping and philosophy. The so-called Black Atlantic, to use the term coined by Paul Gilroy, is geography lacking precise borders, a fluid field where African experiences invade and occupy other nations, territories and cultures. The plural and polyphonic quality of “histórias” is also of note; unlike the English “histories,” the word in Portuguese carries a double meaning that encompasses both fiction and nonfiction, personal, political, economic and cultural, as well as mythological narratives. The book features more than 400 works from Africa, the Americas and the Caribbean, as well as Europe, from the 16th to the 21st century. These are organized in eight thematic groupings: Maps and Margins; Emancipations; Everyday Lives; Rites and Rhythms; Routes and Trances; Portraits; Afro Atlantic Modernisms; Resistances and Activism. Artists include: Nina Chanel Abney, Emma Amos, Benny Andrews, Emanoel Araujo, Maria Auxiliadora, Romare Bearden, John Biggers, Paul Cézanne, Victoria Santa Cruz, Beauford Delaney, Aaron Douglas, Melvin Edwards, Ibrahim El-Salahi, Ben Enwonwu, Ellen Gallagher, Theodore Géricault, Barkley Hendricks, William Henry Jones, Loïs Mailou Jones, Titus Kaphar, Wifredo Lam, Norman Lewis, Ibrahim Mahama, Edna Manley, Archibald Motley, Abdias Nascimento, Gilberto de la Nuez, Toyin Ojih Odutola, Dalton Paula, Rosana Paulino, Howardena Pindell, Heitor dos Prazeres, Joshua Reynolds, Faith Ringgold, Gerard Sekoto, Alma Thomas, Hank Willis Thomas, Rubem Valentim, Kara Walker and Lynette Yiadom-Boakye. Full Product DetailsAuthor: Adriano Pedrosa , Tomás Toledo , Vivian Crockett , Kanitra FletcherPublisher: Distributed Art Publishers Imprint: DelMonico Books/D.A.P. Dimensions: Width: 21.00cm , Height: 3.80cm , Length: 27.30cm Weight: 2.041kg ISBN: 9781636810027ISBN 10: 1636810020 Pages: 400 Publication Date: 20 January 2022 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: In stock We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsReviewsIf you want to educate yourself on this vast history, spanning centuries and involving millions of people, then this art book is for you--Charlotte Stace Daily Art Magazine The page compositions are dynamic and move the reader through the book in a lively manner--complimented by the wonderfully bold and vibrant color palette.--Kimberly Varella AIGA A broad, long-overdue examination of the visual legacy of the Afro-Atlantic diaspora to accompany a show that's sure to generate high interest.--Taimur Dar Library Journal A powerful corrective has arrived in the form of Afro-Atlantic Histories, a visual survey of the diaspora [...] An odyssey that extends from seventeenth-century Kongo to present-day Puerto Rico.--Julian Lucas New Yorker A feast of images and ideas... Afro-Atlantic Histories raises the stakes of so-called global modernism by boldly setting forth the conditions of an art history that is for, rather than against, a global majority--a majority with which existing institutional structures have only just begun to reckon.--Joan Kee Artforum If you want to educate yourself on this vast history, spanning centuries and involving millions of people, then this art book is for you--Charlotte Stace Daily Art Magazine A feast of images and ideas... Afro-Atlantic Histories raises the stakes of so-called global modernism by boldly setting forth the conditions of an art history that is for, rather than against, a global majority--a majority with which existing institutional structures have only just begun to reckon.--Joan Kee Artforum If you want to educate yourself on this vast history, spanning centuries and involving millions of people, then this art book is for you--Charlotte Stace Daily Art Magazine Author InformationTab Content 6Author Website:Countries AvailableAll regions |