Overview

For decades, African nations have fought for the return of countless works of art stolen during the colonial era and placed in Western museums. In Africa's Struggle for Its Art, Bndicte Savoy brings to light this largely unknown but deeply important history. One of the world's foremost experts on restitution and cultural heritage, Savoy investigates extensive, previously unpublished sources to reveal that the roots of the struggle extend much further back than prominent recent debates indicate, and that these efforts were covered up by myriad opponents. Shortly after 1960, when eighteen former colonies in Africa gained independence, a movement to pursue repatriation was spearheaded by African intellectual and political classes. Savoy looks at pivotal events, including the watershed speech delivered at the UN General Assembly by Zaire's president, Mobutu Sese Seko, which started the debate regarding restitution of colonial-era assets and resulted in the first UN resolution on the subject. She examines how German museums tried to withhold information about their inventory and how the British Parliament failed to pass a proposed amendment to the British Museum Act, which protected the country's collections. Savoy concludes in the mid-1980s, when African nations enacted the first laws focusing on the protection of their cultural heritage. Making the case for why restitution is essential to any future relationship between African countries and the West, Africa's Struggle for Its Art will shape conversations around these crucial issues for years to come. 'A closely observed look at the resistance of European museums to repatriate artwork looted from Africa during the colonial era. . . . A thoughtful study in the ethics of art collection.' Kirkus Reviews

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[This] revelatory new book charts the course of an all-but-forgotten movement. . . . . [Savoy's] investigation yields a riveting scholarly whodunnit that doubles as a timely warning. ---Julian Lucas, New Yorker A closely observed look at the resistance of European museums to repatriate artwork looted from Africa during the colonial era. . . . A thoughtful study in the ethics of art collection. * Kirkus Reviews * [Africa's Struggle for Its Art] reveal[s] a vital understanding of the global story of struggles for African heritage restitution and its historical defeat. . . . [The] book serves as a warning that we have been here before and that last time we lost the battle. But it also serves as a kind of arsenal, to not fall for previous tricks, to expose old lies and to build upon what was already built by so many African and allies over decades. ---Molemo Molloa, Africa is a Country An incisive perspective. ---Tobias Carroll, Inside Hook

A closely observed look at the resistance of European museums to repatriate artwork looted from Africa during the colonial era. . . . A thoughtful study in the ethics of art collection. * Kirkus Reviews *

A closely observed look at the resistance of European museums to repatriate artwork looted from Africa during the colonial era. . . . A thoughtful study in the ethics of art collection. * Kirkus Reviews * [Africa's Struggle for Its Art] reveal[s] a vital understanding of the global story of struggles for African heritage restitution and its historical defeat. . . . [The] book serves as a warning that we have been here before and that last time we lost the battle. But it also serves as a kind of arsenal, to not fall for previous tricks, to expose old lies and to build upon what was already built by so many African and allies over decades. ---Molemo Molloa, Africa is a Country

[This] revelatory new book charts the course of an all-but-forgotten movement. . . . . [Savoy's] investigation yields a riveting scholarly whodunnit that doubles as a timely warning. ---Julian Lucas, New Yorker [A] ground-breaking book. ---Dan Hicks, Hyperallergic A fascinating account of lies and disinformation from European institutions in the debate against restitution. . . . Savoy's deeply researched book marks a shift in tone from the many articles written recently on the African restitution debate . . . that erase African voices, focusing instead on the efforts of European intellectuals. ---Nosmot Gbadamosi, Foreign Policy A closely observed look at the resistance of European museums to repatriate artwork looted from Africa during the colonial era. . . . A thoughtful study in the ethics of art collection. * Kirkus Reviews * An incisive and eye-opening history of the first restitution debates that developed from the mid-1960s through to the mid-80s. ---J.J Charlesworth, Art Review [Africa's Struggle for Its Art] reveal[s] a vital understanding of the global story of struggles for African heritage restitution and its historical defeat. . . . [The] book serves as a warning that we have been here before and that last time we lost the battle. But it also serves as a kind of arsenal, to not fall for previous tricks, to expose old lies and to build upon what was already built by so many African and allies over decades. ---Molemo Molloa, Africa is a Country Africa's Struggle for Its Art usefully charts the prequel to current campaigns pressuring for the return of colonial plunder. . . . This is a history that few of us know. ---David D'Arcy, The Arts Fuse An incisive perspective. ---Tobias Carroll, Inside Hook

[This] revelatory new book charts the course of an all-but-forgotten movement. . . . . [Savoy's] investigation yields a riveting scholarly whodunnit that doubles as a timely warning. ---Julian Lucas, New Yorker [A] ground-breaking book. ---Dan Hicks, Hyperallergic A fascinating account of lies and disinformation from European institutions in the debate against restitution. . . . Savoy's deeply researched book marks a shift in tone from the many articles written recently on the African restitution debate . . . that erase African voices, focusing instead on the efforts of European intellectuals. ---Nosmot Gbadamosi, Foreign Policy A closely observed look at the resistance of European museums to repatriate artwork looted from Africa during the colonial era. . . . A thoughtful study in the ethics of art collection. * Kirkus Reviews * An incisive and eye-opening history of the first restitution debates that developed from the mid-1960s through to the mid-80s. ---J.J Charlesworth, Art Review [Africa's Struggle for Its Art] reveal[s] a vital understanding of the global story of struggles for African heritage restitution and its historical defeat. . . . [The] book serves as a warning that we have been here before and that last time we lost the battle. But it also serves as a kind of arsenal, to not fall for previous tricks, to expose old lies and to build upon what was already built by so many African and allies over decades. ---Molemo Molloa, Africa is a Country Africa's Struggle for Its Art usefully charts the prequel to current campaigns pressuring for the return of colonial plunder. . . . This is a history that few of us know. ---David D'Arcy, The Arts Fuse An incisive perspective. ---Tobias Carroll, Inside Hook Savoy has . . . made a significant move towards the final decolonisation of European museums and impacting the African nations into not only setting up new museums but also ratifying laws that focus on the protection of their cultural heritage. Hopefully, her book will also influence and shape the larger global conversations on the subject to counter the ridiculous argument of the western nations that such art objects now form an integral part of their own heritage. ---Shelley Walia, Frontline

Author Information

Bndicte Savoy is professor in the Department of Art History at the Technical University of Berlin and was professor at the Collge de France in Paris from 2016 to 2021. She is the coeditor of Translocations: Histories of Dislocated Cultural Assets; Acquiring Cultures: Histories of World Art on Western Markets; and The Museum Is Open: Towards a Transnational History of Museums. She is the author (with Felwine Sarr) of The Restitution of African Cultural Heritage: Toward a New Relational Ethics, known as the Sarr-Savoy Report. She lives in Berlin.

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