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Author:   Professor Deborah Mawer ,  Barbara L. Kelly ,  Rachel Moore (Author) ,  Graham Sadler (Royalty Account)
Publisher:   Boydell & Brewer Ltd
Imprint:   Boydell & Brewer
Weight:   0.001kg
ISBN:  

9781837650323

ISBN 10:   1837650322
Pages:   382
Publication Date:   14 March 2023
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Introduction PART I. DURAND AND HIS ÉDITION CLASSIQUE 1 The Historical Evolution of the Édition Classique Graham Sadler 2 Charting the Édition: Production Data, Musical Contents and Relationships Deborah Mawer and Graham Sadler PART II. COMPOSER-EDITOR CASE STUDIES 3 'De-Germanising' Music Publishing: Dukas's Beethoven in Wartime France Rachel Moore 4 Mozart as 'Classic' in Early Twentieth-Century France: The Case of Saint-Saëns's Mozart Editions Barbara L. Kelly 5 Making Mendelssohn (More) French: Ravel and Six pièces enfantines Deborah Mawer 6 Accenting Bach: An Editorial Trajectory from Fauré to Roger-Ducasse Deborah Mawer 7 Repackaging the Old Masters: The Place of Early Keyboard Music in the Édition Classique Graham Sadler 8 Debussy's Homage to Chopin: as Editor, Performer and Composer Appendix: Debussy-Chopin entries in the Livres de cotage (1919-90s) Barbara L. Kelly PART III. BEYOND EDITING: PEDAGOGY, PERFORMANCE, COMPOSITION 9 The Édition Classique in Action: Pedagogy and Performance Rachel Moore and Barbara L. Kelly 10 The Édition Classique and French Neoclassicism: L'École moderne as Exemplar Appendix: Alphabetical tabulation of composers and pieces Deborah Mawer Afterword Select Bibliography Index

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Author Information

DEBORAH MAWER is Emeritus Professor of Music, Royal Birmingham Conservatoire. BARBARA L. KELLY is Professor of Music, University of Leeds RACHEL MOORE is Lecturer in Music, Cardiff University. GRAHAM SADLER is Professor of Musicology, Royal Birmingham Conservatoire.

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